Pujya Bhaishree Rameshbhai Ojha's ' "Giriraj Dharan" was released on its scheduled release date, September 12, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pujya Bhaishree Rameshbhai Ojha's "Mithe Rasse Bharyo" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Giriraj Dharan's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Giriraj Dharan by Pujya Bhaishree Rameshbhai Ojha to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gajanan Maharaj Ashtak | Mugdha Vaishampayan | F Minor | 0 | 4A | 69 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Radhe Krishna Radhe Krishna | Sonika Sharma Agarwal | F♯ Minor | 7 | 11A | 198 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Gobind Mero Hai | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 74 BPM | ||
| Parameshwaraya | Rishi Nityapragya | G Major | 4 | 9B | 102 BPM | ||
| Ganesha Pancharatnam | Minakshi Majumdar | D♭ Major | 6 | 3B | 156 BPM | ||
| Kashi Vishwanath (Mahima) | TANVI SENJALIYA | C Major | 3 | 8B | 99 BPM | ||
| Raat Shayam Sapne Mein Aaye | Piyusha-Kailash Anuj | B♭ Minor | 8 | 3A | 82 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Shri Krishna Na Charnarvind | Dipalee Somaiya Date | D Major | 6 | 10B | 100 BPM | ||
| Radha Raman Mere | Harinaam Das | D Major | 6 | 10B | 105 BPM | ||
| Samb SadaShiv Naam Jap | Vishnu Vikram | D Major | 6 | 10B | 120 BPM | ||
| Krishna Hai Krishna Hai | Pujya Bhaishree Rameshbhai Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Mrityunjaya Stuti the Sounds for Healing | Ishan Shivanand, Avdhoot Shivanand | F Major | 6 | 7B | 140 BPM | ||
| Jagannath Sloka | Sainik Dey, Avik Sur | G Major | 4 | 9B | 122 BPM | ||
| Aarti Kunj Bihari Ki | Trisha Parui | D♭ Major | 7 | 3B | 124 BPM | ||
| Dhan Dhan Bholenath Bant Diye | Tanvi Senjaliya | B Major | 3 | 1B | 70 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Hanuman Ji Ki Aarti | Pujya Bhaishree Rameshbhai Ojha | F Major | 7 | 7B | 94 BPM | ||
| Siddha Kunjika Stotram | SHRI PREM PRAKASH DUBEY | F♯ Major | 4 | 2B | 179 BPM | ||
| Kanakadhara Stotram | Prem Prakash Dubey | D♭ Major | 4 | 3B | 120 BPM | ||
| Gokul Mein Ek | Rishi Nityapragya | E Major | 8 | 12B | 152 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM |