Mohammed Aziz, Anuradha Paudwal's ' "Dhak Dhak" was released on its scheduled release date, September 8, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Laxmikant–Pyarelal's "Gharana" album is number 2 out of 5. On top of that, India appears to be the country where this track was created. Based on our statistics, Dhak Dhak's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dhak Dhak by Mohammed Aziz, Anuradha Paudwal to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kehna Na Tum Yeh Kisi Se | Salma Agha, Mohammed Aziz | F Minor | 7 | 4A | 134 BPM | ||
| Naam Aapka Hothon Pe Hai | Rehana | E Major | 5 | 12B | 143 BPM | ||
| Maine Apna Sanam Tujhe (From "Maa Beti") | Suresh Wadkar, Anuradha Paudwal | G Major | 6 | 9B | 151 BPM | ||
| Krishna Chakrdhari Krishna Dukh Shok Haari | Ravindra Jain, Anuradha Paudwal | B♭ Minor | 5 | 3A | 97 BPM | ||
| Gar Khuda Rooth Jaye To Sajda Karun | Mano | E♭ Major | 7 | 5B | 139 BPM | ||
| Lekin Mohabbat Badi Hai - Jhankar | Alka Yagnik, Mohammed Aziz | B♭ Minor | 9 | 3A | 114 BPM | ||
| Aei Mere Doston | Anu Malik, Mohammed Aziz | A♭ Minor | 8 | 1A | 129 BPM | ||
| Aadhi Raat Ko Koi | Dilraj Kaur, Jaspal Singh | B Minor | 3 | 10A | 172 BPM | ||
| Dil Apana Kisko De | Arzoo Bano | E Minor | 3 | 9A | 110 BPM | ||
| Kisi Gareeb Ke Dil Se | Shailendra Singh, R. D. Burman | A♭ Major | 4 | 4B | 94 BPM | ||
| Tera Naam Liya - Stereo Jhankar Beats | Hero And King Of Jhankar Studio, Manhar Udhas, Anuradha Paudwal | F Minor | 6 | 4A | 129 BPM | ||
| Hairaan Dekhkar Ho Khuda | Vipin Sachdeva | G Major | 8 | 9B | 114 BPM | ||
| Goriya Pyar Mujhe (From "Mere Humsafar") | Vinod Rathod, Poornima | F♯ Minor | 6 | 11A | 182 BPM | ||
| Raat Ashi Preet Ashi | Sachin, Anuradha Paudwal | C Major | 5 | 8B | 98 BPM | ||
| Gudiya O Meri Pyari | Vinod Rathod | B♭ Major | 9 | 6B | 146 BPM | ||
| Ansoo Bhi Hai Khushiyan Bhi Hai | K. J. Yesudas | F♯ Major | 8 | 2B | 101 BPM | ||
| Majnu Ke Nana Pagla Diwana | Manna Dey, Preeti Sagar | A♭ Major | 3 | 4B | 111 BPM | ||
| Dhak Dhak | Mohammed Aziz, Anuradha Paudwal | F Major | 7 | 7B | 135 BPM | ||
| Sultana Mera Naam Hai Sultana | Usha Mangeshkar | G Minor | 6 | 6A | 101 BPM | ||
| Main Rahun Tum Raho Doosra Koi Na Ho | Asha Bhosle, Mohammed Aziz | C Minor | 7 | 5A | 144 BPM | ||
| Bewafa Yun Tera Muskurana | Abhijeet | B Minor | 6 | 10A | 106 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Dekhein Apni Kismat Mein | Anuradha Paudwal, Mohammed Aziz | D♭ Major | 6 | 3B | 80 BPM | ||
| Mera Naam Salma | Salma Agha | G Minor | 8 | 6A | 100 BPM | ||
| Koi Vada Koi Iqrar Na Kiya | Lata Mangeshkar, Mohammed Aziz | C Minor | 8 | 5A | 114 BPM |