"Schumann: Kinderszenen op15 Fast zu ernst 슈만 어린이의 정경 약이 올라서" by 김준영 had its release date on March 9, 2021. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 잠이 오지 않는 밤, 듣는 Classic, so we believe that "Schumann: Kinderszenen op15 Fast zu ernst 슈만 어린이의 정경 약이 올라서" is a single. In terms of popularity, Schumann: Kinderszenen op15 Fast zu ernst 슈만 어린이의 정경 약이 올라서 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schumann: Kinderszenen op15 Fast zu ernst 슈만 어린이의 정경 약이 올라서 by 김준영 is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
| 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | ||
| Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Romance in D Minor, Op. 62 (Arr. Parkin for String Ensemble) | Edward Elgar, Sheku Kanneh-Mason, The Heath Quartet, Toby Hughes | D Minor | 1 | 7A | 93 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei (Arr. by Sandquist) | Robert Schumann, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 86 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Bach, JS: Concerto for Oboe and Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Nigel Kennedy, Albrecht Mayer, Berliner Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
| Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
| Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 3 | 9B | 92 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Seong-Jin Cho | E Minor | 0 | 9A | 66 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |