- BPM
- 159
- Key
- F Major
- Camelot
- 7B
String Quintet No. 2 in G, Op. 111: II. Adagio by Johannes Brahms, Nash Ensemble Song Details
Johannes Brahms, Nash Ensemble's ' "String Quintet No. 2 in G, Op. 111: II. Adagio" was released on its scheduled release date, July 31, 2009. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 5 out of 7 in Brahms: The String Quintets by Johannes Brahms, Nash Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, String Quintet No. 2 in G, Op. 111: II. Adagio's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of String Quintet No. 2 in G, Op. 111: II. Adagio by Johannes Brahms, Nash Ensemble is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -21.935 dB
- Acousticness
- 96%
- Danceability
- 42%
- Energy
- 13%
- Instrumentalness
- 85%
- Liveness
- 23%
- Loudness
- 63%
- Speechiness
- 6%
- Valence
- 60%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | |
 | Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | |
 | Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | |
 | String Quartet No. 1 In C Minor, Op. 51 No. 1: 1. Allegro - 2007 Recording | Johannes Brahms, Emerson String Quartet | C Minor | 1 | 5A | 127 BPM | |
 | Piano Quintet in E-Flat Major, Op. 44: III. Scherzo (Molto vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A♭ Major | 3 | 4B | 144 BPM | |
 | Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | |
 | Notturno for Violin and Orchestra, Op. 12 | Joseph Joachim, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Sakari Oramo | F♯ Major | 1 | 2B | 93 BPM | |
 | Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | |
 | 8 Pieces, Op. 83: II. Allegro con moto | Max Bruch, Philon Trio | A Major | 2 | 11B | 75 BPM | |
 | Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro | Johannes Brahms, Maria Kliegel, Kristin Merscher | F Major | 1 | 7B | 67 BPM | |
 | Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | |
 | Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation II | Franz Schubert, Quatuor Arod | A♭ Major | 1 | 4B | 82 BPM | |
 | String Quartet No. 1 in A Minor, Op. 41/1: IV. Presto | Robert Schumann, Emerson String Quartet | F Major | 1 | 7B | 101 BPM | |
 | Piano Trio No. 2 in C Major, Op. 87: Finale: Allegro giocoso | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Major | 1 | 8B | 83 BPM | |
 | Piano Quintet in E flat, Op. 44: 2. In modo d'una marcia (Un poco largamente) | Robert Schumann, Menahem Pressler, Emerson String Quartet | F Minor | 0 | 4A | 94 BPM | |
 | Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | |
 | String Quartet No. 10 in E-Flat Major, Op. 74 "Harp": 1. Poco adagio - Allegro | Ludwig van Beethoven, Emerson String Quartet | E♭ Major | 1 | 5B | 81 BPM | |
 | 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 12 in D Minor | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | D Minor | 1 | 7A | 77 BPM | |
 | String Quartet No. 6 in F Minor, Op. 80: III. Adagio | Felix Mendelssohn, Doric String Quartet | A♭ Major | 0 | 4B | 127 BPM | |
 | Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM | |
 | Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Augustin Dumay, Maria João Pires | A Major | 5 | 11B | 83 BPM | |
 | L'Invitation au voyage (Transc. for Cello and Piano by Camille Thomas) | Henri Duparc, Camille Thomas, Julien Libeer | A Minor | 1 | 8A | 171 BPM | |
 | Violin Sonata, FP 119: Intermezzo. Tres lent et calme | Francis Poulenc, Graf Mourja, Alexandre Tharaud | D♭ Minor | 1 | 12A | 85 BPM | |
 | Vocalise, Op. 34 No. 14 (Arr. for Violin and Piano) | Sergei Rachmaninoff, Lisa Batiashvili, Hélène Grimaud | E Minor | 0 | 9A | 95 BPM |
- ISRC
- GBPCP0900405
- Label
- L-M Records/RCA Records