"Bringin' It Straight from Alabama" by The Tony Danza Tapdance Extravaganza had its release date on August 9, 2005. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "The Tony Danza Tap Dance Extravaganza". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Bringin' It Straight from Alabama's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bringin' It Straight from Alabama by The Tony Danza Tapdance Extravaganza having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Deep on Charlie (Demo Version) | The Tony Danza Tapdance Extravaganza | A Major | 9 | 11B | 126 BPM | ||
| Void Of Conscience | Ion Dissonance | D♭ Major | 10 | 3B | 100 BPM | ||
| Born Dead | MouthBreather | A♭ Major | 10 | 4B | 119 BPM | ||
| Care By Carcinogenic | Black Sheep Wall | B Minor | 9 | 10A | 126 BPM | ||
| Small Towns, Small Minds | Ed Gein | B Minor | 10 | 10A | 105 BPM | ||
| The Lost & Damned | The Tony Danza Tapdance Extravaganza | A Minor | 9 | 8A | 105 BPM | ||
| Tony Little, Jack Daniels, And the Open Road | The Tony Danza Tapdance Extravaganza | A♭ Major | 10 | 4B | 74 BPM | ||
| Black Santa | The Red Chord | D Major | 9 | 10B | 98 BPM | ||
| Scissor Fuck Paper Doll | Psyopus | D Major | 10 | 10B | 120 BPM | ||
| Too Scared to Live | Glass Casket | A♭ Major | 9 | 4B | 101 BPM | ||
| Let's Go Halvsies on a Bastard | See You Next Tuesday | B Minor | 10 | 10A | 125 BPM | ||
| El Piñata de la Muerte | The Number Twelve Looks Like You | A Major | 9 | 11B | 169 BPM | ||
| Crunchy Black Did Me in at Midnight Madness | The Tony Danza Tapdance Extravaganza | B♭ Major | 10 | 6B | 140 BPM | ||
| Fisted and Forgotten | Glass Casket | D Major | 9 | 10B | 142 BPM | ||
| Visions of Clarity | Forgetting Tomorrow | C Major | 8 | 8B | 95 BPM | ||
| His Eyes | Car Bomb | F Minor | 9 | 4A | 121 BPM | ||
| Paraphilia | See You Next Tuesday | B Minor | 9 | 10A | 160 BPM | ||
| A.43 Caliber Defribrillater a Prototype of Sorts | Found Dead Hanging | E♭ Major | 10 | 5B | 132 BPM | ||
| Teenage Mustache | The Locust | A Major | 10 | 11B | 188 BPM | ||
| Whoop Dat Trick | I Declare War | B♭ Minor | 10 | 3A | 86 BPM | ||
| The Damage and The Sift | Frontierer | D Major | 10 | 10B | 78 BPM | ||
| Tourtasia | Arsonists Get All The Girls | D♭ Major | 10 | 3B | 90 BPM | ||
| Save The Castle Screw The Princess | Arsonists Get All The Girls | C Major | 10 | 8B | 130 BPM | ||
| Given Life | The Number Twelve Looks Like You | B♭ Major | 8 | 6B | 134 BPM | ||
| Listless | On Broken Wings | B Major | 9 | 1B | 170 BPM |