"Vers la source dans le bois: Allegro moderato" by Marcel Tournier, Chantal Mathieu had its release date on January 1, 1998. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Tournier: Works for solo Harp". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Vers la source dans le bois: Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vers la source dans le bois: Allegro moderato by Marcel Tournier, Chantal Mathieu having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio | Louis Spohr, Helga Storck, Klaus Storck | A Major | 0 | 11B | 117 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Keyboard Sonata in F Major, Kk. 446 (Arr. for Piano by Ignaz Friedman) | Domenico Scarlatti, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Elgar: Sea Pictures, Op. 37: No. 2, In Haven. Capri (Arr. for Cello and Piano) | Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 80 BPM | ||
| Images: Suite No. 3, Op. 35: Danseuse a la fontaine | Marcel Tournier, Judy Loman | B Major | 0 | 1B | 79 BPM | ||
| Sonata in A Major, K. 323 - Bonus Track | Domenico Scarlatti, Sarah O'Brien | D Major | 5 | 10B | 140 BPM | ||
| Iberia, T. 105, Book 1: I. Evocación | Isaac Albéniz, Stephen Hough | A Major | 0 | 11B | 67 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Chanson de Matin, Op. 15 No. 2 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 134 BPM | ||
| 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
| 4 piezas españolas: II. Cubana (Moderato) | Manuel de Falla, Javier Perianes | A Major | 0 | 11B | 132 BPM | ||
| 8 Memories in Watercolor (2002 Version): No. 3, Herdboy's Song | Tan Dun, Ralph van Raat | G Major | 0 | 9B | 66 BPM | ||
| Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | ||
| Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 134 BPM | ||
| Impromptu-Caprice, Op. 9 | Gabriel Pierné, Ellen Bødtker | A♭ Major | 2 | 4B | 94 BPM | ||
| Around the Clock Suite: Ten Past Two | Pearl Chertok, Emanuela Degli Esposti | C Major | 1 | 8B | 108 BPM | ||
| Prelude and Dance, "Feerie": Feerie | Marcel Tournier, Susann McDonald | E Minor | 2 | 9A | 91 BPM | ||
| Deuxième arabesque | Héloïse de Jenlis | A Minor | 0 | 8A | 120 BPM | ||
| Mouvements perpétuels, n°3 alerte | Francis Poulenc, Alexandre Tharaud | D Minor | 1 | 7A | 67 BPM | ||
| Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
| Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
| Fantasía para un gentilhombre: I. Adagietto | Joaquín Rodrigo, Dale Kavanagh, Staatsphilharmonie Arad, Horst Bäcker | A Major | 1 | 11B | 97 BPM | ||
| To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variazione IV | Ernst Krähmer, Claudio Ferrarini | G Major | 2 | 9B | 67 BPM |