- BPM
- 73
- Key
- E Major
- Camelot
- 12B
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' by Nora Mercz, Frédéric Chopin, Janos Balint Song Details
Nora Mercz, Frédéric Chopin, Janos Balint's 'Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola'' had a release date set for November 26, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 14 in Flute and Harp by Janos Balint. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' by Nora Mercz, Frédéric Chopin, Janos Balint is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 22%
- Loudness
- -26.577 dB
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 4%
- Instrumentalness
- 94%
- Liveness
- 9%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 33%
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|---|---|---|---|---|---|---|---|
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| Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | |
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 | Le Cygne | Camille Saint-Saëns, Philippa Davies, Thelma Owen | A♭ Minor | 0 | 1A | 67 BPM | |
 | Nocturne, Op. 9,2 | Frédéric Chopin, Joanna Madroszkiewicz, Paul Gulda | E♭ Major | 0 | 5B | 115 BPM | |
 | Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | |
 | Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | |
 | Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | |
 | Concerto for Recorder and Flute in E Minor, TWV 52:E1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hunteler, Cappella Coloniensis, Georg Fischer | E Major | 1 | 12B | 112 BPM | |
 | Pavane, Op. 50 (Arr. M. Karp for Flute & Guitar) | Gabriel Fauré, Viviana Guzmán, Jérémy Jouve | F♯ Minor | 0 | 11A | 68 BPM | |
 | Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | |
 | Waltz No. 1 in E-Flat Major, Op. 83 | Marie Auguste Durand, Janos Balint, Nora Mercz | E♭ Major | 0 | 5B | 93 BPM | |
 | Sonata in A Minor, D. 821 "Arpeggione": I. Allegro moderato - Arr. for Flute and Guitar | Franz Schubert, Eugen Bertel, Alexander Swete | A Minor | 2 | 8A | 131 BPM | |
 | Les cygnes | Henri Büsser, Eva Oertle, Consuelo Giulianelli | A Major | 1 | 11B | 106 BPM | |
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 | Flute Sonata in E Minor, Op. 1 No. 1a, HWV 379: III. Largo | George Frideric Handel, Hans-Martin Linde, Karl Richter, Johannes Koch | F Major | 2 | 7B | 72 BPM |
- ISRC
- HKI199294610
- Label
- L-M Records/RCA Records