"Guatemala II" by R Asturias, Ricardo Castillo, Moscow Symphony Orchestra, Antonio de Almeida had its release date on November 12, 1994. This song appears to be safe for all ages as it is not explicit. The track order of this song in Antonio de Almeida's "Martinez-Sobral: Acuarelas Chapinas / Castillo: Guatemala I and Ii" album is number 11 out of 11. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Guatemala II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Guatemala II by R Asturias, Ricardo Castillo, Moscow Symphony Orchestra, Antonio de Almeida to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | ||
| Symphony in C Major, GB 115: III. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 116 BPM | ||
| Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM | ||
| Polovtsian Dances from Prince Igor: IV. Allegro | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 177 BPM | ||
| Romeo and Juliet, Op. 64, Act IV: No. 52, Death of Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Minor | 1 | 9A | 71 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Harty: Water Music Suite (After Handel): V. Andante espressivo | George Frideric Handel, Herbert von Karajan, Berliner Philharmoniker | D Major | 2 | 10B | 105 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Petrouchka: Danse des cochers et des palefreniers | Ferenc Fricsay, Berliner Philharmoniker | A Minor | 6 | 8A | 121 BPM | ||
| Wagner: Der fliegende Holländer, WWV 63, Act 2 Scene 1: Introduktion | Richard Wagner, Theo Adam, Otto Klemperer, New Philharmonia Orchestra | F Major | 2 | 7B | 168 BPM | ||
| Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" | Georges Bizet, Seiji Ozawa, Orchestre National De France | B Major | 0 | 1B | 127 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | ||
| Symphony No. 3 in C Major, Op. 21: III. Allegretto Moderato | Hakon Borresen, Aalborg Symphony Orchestra, Owain Arwel Hughes | A♭ Major | 0 | 4B | 75 BPM | ||
| Manfred Symphony, Op. 58, TH.28: 3. Andante con moto | Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov | F Major | 1 | 7B | 114 BPM | ||
| Symphony No. 1, GMW 11: Ic. Sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 19, Balcony Scene | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Minor | 1 | 9A | 71 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 3 | 5A | 110 BPM |