On January 14, 2020, the song "Rada Tere Barat" was released by Rajbala Bahadurgadh, Nardev Baniwal, Anuradha Sharma, Puja Sharma Komal Jakhad, Anjali Thakran, Deepa Chaudhary. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 61 in the song's album "Shyam Ki Deewani Rajbala". In this album, this song's track order is #47. Furthermore, we believe that the track originated from India. Based on our statistics, Rada Tere Barat's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rada Tere Barat by Rajbala Bahadurgadh, Nardev Baniwal, Anuradha Sharma, Puja Sharma Komal Jakhad, Anjali Thakran, Deepa Chaudhary having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| জননী আমার তুমি | Rakhi Dasi Baul | F Minor | 8 | 4A | 85 BPM | ||
| Ram Mile To Kahije Re Mare Hariya Van Ra Suvatiya | Mahaveer Sankhla | F♯ Major | 9 | 2B | 183 BPM | ||
| Prabh Ko Agar Bhuloge Bande | Dhiraj Kant | F Minor | 8 | 4A | 91 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Kahan Gaya Bedardi | Attaullah Khan | A♭ Major | 5 | 4B | 128 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Ek Pardesi Mera Dil Le Gaya | Sadhana Sargam, Vipin Sachdeva | D♭ Major | 7 | 3B | 112 BPM | ||
| Chhepi Joro Mero Yaar Pahadan Manh Bhaderwahi Song | Mool Raj Misher | F Minor | 6 | 4A | 103 BPM | ||
| Hari Naam Nahi To Jina Kiya | Gaurangi Gauri Ji | B♭ Minor | 9 | 3A | 96 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge Shyam Aayenge | Vishal Jogdeo | D Minor | 4 | 7A | 72 BPM | ||
| Patte Janam Befa ho geya, Dera Sacha Sauda | Rehmat Records | E Minor | 4 | 9A | 140 BPM | ||
| Aa Re Kalia | Sonu Nigam | F♯ Major | 6 | 2B | 120 BPM | ||
| Dada Pitar Aaeye | Sunil Atawla | B Minor | 9 | 10A | 69 BPM | ||
| Jaikra Tan Mein Jawani | Bharat Sharma Vyas | A♭ Major | 7 | 4B | 161 BPM | ||
| Nain Sa Nain Milal | Kunj Bihari Mishr, Mithla Ratan | F♯ Major | 7 | 2B | 104 BPM | ||
| Meri Vipda Taal Do Aakar | Mandeep Bhajan | D Minor | 4 | 7A | 75 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Humko Tumse Milne Ka | Sanju Sharma | C Minor | 6 | 5A | 95 BPM | ||
| Bahbhi Man Ki Sari | Satpal Dosa, Mainpal Baseda | A♭ Major | 7 | 4B | 81 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| SAMI VOKTI | KOUSHIK ADHIKARI | D Minor | 6 | 7A | 87 BPM | ||
| Tore Na Dekhe | Bari Siddiqui | E♭ Minor | 7 | 2A | 107 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM | ||
| Ek Gaon Mein Ek Ladki Thi | Devinder Kohinoor | C Major | 5 | 8B | 71 BPM | ||
| Rudal Panjiyar Ka Bhagait Bhag 1 - Maithili | Rudal Panjiyar | G Major | 6 | 9B | 84 BPM |