Hitomi Tohyama's 'BEHIND YOU' had a release date set for 1983. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "SEXY ROBOT". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. Based on our statistics, BEHIND YOU's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With BEHIND YOU by Hitomi Tohyama having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 13月の奇跡 | Tomoko Aran | C Major | 6 | 8B | 128 BPM | ||
| Morning Breeze | Hiromi Iwasaki | B♭ Major | 4 | 6B | 98 BPM | ||
| 朝陽の中で微笑んで | Hi-Fi Set | B♭ Minor | 3 | 3A | 65 BPM | ||
| ラスト・フット | Masaki Ueda | A Major | 5 | 11B | 121 BPM | ||
| Stop Passing Night | 門あさ美 | F♯ Minor | 4 | 11A | 138 BPM | ||
| フロントガラス越しに | Kaoru Sudo | C Major | 6 | 8B | 91 BPM | ||
| Riverside Cafe | 小山水城 | G Major | 5 | 9B | 72 BPM | ||
| missing you | Naoko Gushima | F♯ Minor | 6 | 11A | 70 BPM | ||
| Adventure | Momoko Kikuchi | F♯ Minor | 8 | 11A | 117 BPM | ||
| SUNDAY BRUNCH | Kanako Wada | C Major | 7 | 8B | 121 BPM | ||
| It's the Falling in Love | Hatsumi Shibata | E Minor | 8 | 9A | 114 BPM | ||
| 恋のジャイロ | 池田典代 | B Major | 6 | 1B | 119 BPM | ||
| Layla | 黒住憲五 | A♭ Minor | 6 | 1A | 110 BPM | ||
| NIGHT WALKER | Yumi Matsutoya | B Minor | 6 | 10A | 94 BPM | ||
| Imitation Lover | Tomoko Aran | C Major | 6 | 8B | 123 BPM | ||
| 素肌ゲーム -WE ARE IN THE DARK- | Hitomi Tohyama | F Major | 4 | 7B | 117 BPM | ||
| Airport | Yuko Imai | A♭ Major | 4 | 4B | 136 BPM | ||
| 感じるままに | Kei Ishiguro | D Major | 6 | 10B | 103 BPM | ||
| ヘミングウェイに逢える海 - 2022 Remaster | Carlos Toshiki And Omega Tribe | B♭ Major | 8 | 6B | 124 BPM | ||
| ひとときだけのMON AMOUR | 加藤有紀 | G Major | 5 | 9B | 79 BPM | ||
| In The Rain | Cindy | A Minor | 5 | 8A | 140 BPM | ||
| モノクローム | Tomoko Aran | B Minor | 5 | 10A | 118 BPM | ||
| 抱かれに来た女 | Kingo Hamada | G Major | 9 | 9B | 102 BPM | ||
| それから | Iyo Matsumoto | C Minor | 9 | 5A | 113 BPM | ||
| So high So high | Naoko Gushima | C Major | 2 | 8B | 78 BPM |