"Slo-Mo" by Paul Leonard-Morgan had its release date on September 21, 2012. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 22 in Dredd (Original Motion Picture Soundtrack) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Slo-Mo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Slo-Mo by Paul Leonard-Morgan is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Low and Distant Sound Gradually Swelling and Increasing | Shane Carruth | D♭ Major | 2 | 3B | 56 BPM | ||
| The Test Worked | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 143 BPM | ||
| Main Menu Theme | Sascha Dikiciyan | G Minor | 3 | 6A | 73 BPM | ||
| Prague | Sascha Dikiciyan | D Major | 4 | 10B | 140 BPM | ||
| Spores | Jed Kurzel | G Major | 2 | 9B | 85 BPM | ||
| Time Travel | Michael Andrews | B♭ Major | 1 | 6B | 59 BPM | ||
| Hiding the Body | Johan Söderqvist | E Minor | 0 | 9A | 70 BPM | ||
| Through The Surveillance Monitor | Don Davis | N/A | N/A | N/A | 0 BPM | ||
| Gennady Drop In | Paul Leonard-Morgan | B Major | 6 | 1B | 105 BPM | ||
| Distorted Reality | Sascha Dikiciyan | F Major | 4 | 7B | 83 BPM | ||
| We Do The Hanging | Ryan Amon | D♭ Major | 5 | 3B | 145 BPM | ||
| The Fireworks | The Great Vorelli | F♯ Minor | 2 | 11A | 143 BPM | ||
| G.A.R.M. | Sascha Dikiciyan | A Major | 2 | 11B | 124 BPM | ||
| The Adjudicator | Tyler Bates, Joel J. Richard | E Major | 4 | 12B | 180 BPM | ||
| Intervention | Bobby Krlic | D Major | 2 | 10B | 122 BPM | ||
| New Worlds | Jack Wall | F Major | 2 | 7B | 120 BPM | ||
| Safehouse | Sascha Dikiciyan | F Major | 2 | 7B | 74 BPM | ||
| Voyage to the Bottom of the C (Main Title) | Marco Beltrami, Brandon Roberts | C Major | 4 | 8B | 74 BPM | ||
| Detroit City Ambient (Part 1) | Michael McCann | C Major | 1 | 8B | 90 BPM | ||
| This Ends Here | Mike Zarin, Tony Hajjar | G Major | 6 | 9B | 122 BPM | ||
| LV-426 | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 110 BPM | ||
| 16 230 | HEALTH | G Major | 7 | 9B | 75 BPM | ||
| The Blessing | Bobby Krlic | D♭ Major | 3 | 3B | 72 BPM | ||
| Connie | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| Night Electricity Theme | Dean Hurley | B Major | 0 | 1B | 125 BPM |