"Inverno Porteno" by Astor Piazzolla, Razvan Stoica had its release date on September 25, 2015. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 4 out of 8 in A Journey Into Classical by Razvan Stoica. In terms of popularity, Inverno Porteno is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Inverno Porteno by Astor Piazzolla, Razvan Stoica is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pelléas et Mélisande: III. Galliard. Navire dans la tempête | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra) | Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba | C Minor | 1 | 5A | 108 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
| Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
| Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | D♭ Major | 2 | 3B | 79 BPM | ||
| Marche slav, Op. 31, TH 45: Marche slave (Slavonic March), Op. 31 [Live] | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | E♭ Major | 2 | 5B | 66 BPM | ||
| Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toréador (Act II) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 2 | 7B | 116 BPM | ||
| The Dance of the Goblins. Op. 25 | Antonio Bazzini, Sarah Chang, Charles Abramovic | G Major | 3 | 9B | 93 BPM | ||
| The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
| Hungarian Dance No. 7 | Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic | A Major | 1 | 11B | 66 BPM | ||
| Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
| The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Torero | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | F Major | 3 | 7B | 97 BPM | ||
| Csikos Post | Hermann Necke, Philharmonica Orchestra, Sir Charles Groves | C Major | 2 | 8B | 86 BPM | ||
| 21 Hungarian Dances for Orchestra, WoO 1: No. 5, Allegro (Arr. A. Parlow) | Johannes Brahms, Magyar Szimfonikus Zenekarok, Istvan Bogar | G Minor | 2 | 6A | 144 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | G Major | 3 | 9B | 90 BPM | ||
| Introduction et rondo capriccioso, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | A Minor | 1 | 8A | 108 BPM | ||
| Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : VII. Badinerie | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 104 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM |