"Im Winkel" by Modest Mussorgsky, Emmerich Smola, Ingeborg Hallstein, SWR Rundfunkorchester had its release date on May 13, 2011. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 33 in Emmerich Smola & Ingeborg Hallstein / Höhepunkte 1961 - 1972 by Emmerich Smola, Ingeborg Hallstein, SWR Rundfunkorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Im Winkel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Im Winkel by Modest Mussorgsky, Emmerich Smola, Ingeborg Hallstein, SWR Rundfunkorchester is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
| Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto | Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 0 | 6B | 135 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
| La mer, CD 111: II. Jeux de vagues | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| Gurrelieder, Pt. 1: No. 1, Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Major | 4 | 6B | 136 BPM | ||
| Aleko: Introduction | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 0 | 11B | 177 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | C Major | 2 | 8B | 80 BPM | ||
| 4 Orchestral Pieces, Sz. 51: I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | A Minor | 1 | 8A | 93 BPM | ||
| Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
| The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 153 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM |