Judi Dench, Michael Hordern, Rod Edwards, Roger Hand's ' "Homeward (Song)" was released on its scheduled release date, December 31, 1975. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "The Butterfly Ball And The Grasshopper's Feast". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Homeward (Song)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Homeward (Song) by Judi Dench, Michael Hordern, Rod Edwards, Roger Hand having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gypsy: Overture | Jule Styne, Gypsy Orchestra, Milton Rosenstock | B♭ Major | 5 | 6B | 168 BPM | ||
| Prince Igor: Polovtsian Dances: a. Introduction. Andantino | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 86 BPM | ||
| Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 69 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
| Shakespeare: His Life and Work, Chapter 38 | Richard Hampton, David Weston, Judi Dench, Timothy West | F Minor | 2 | 4A | 140 BPM | ||
| The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 86 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| The Sleeping Beauty, Op. 66, Prologue: No. 2, Dancing Scene. Entrance of the Fairies | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | C Major | 1 | 8B | 138 BPM | ||
| 1. Pour, oh pour the pirate sherry | Arthur Sullivan, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 96 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "Carmen, un bon conseil" (Frasquita, Carmen, Mercédès) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 111 BPM | ||
| Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
| Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a - Recorded 1985 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 86 BPM | ||
| Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM | ||
| Harlequin Hare | Judi Dench, Michael Hordern, Rod Edwards, Roger Hand | D Major | 7 | 10B | 135 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 10 a) Prologue | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 129 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | ||
| Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Fra Holbergs tid, Op. 40: V. Rigaudon (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 134 BPM | ||
| Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM |