On March 14, 1987, the song "Gori Marele Najariya" was released by Rambriksh Yadav. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bhojpuri Geet - Chhodi Dilli Wali by Rambriksh Yadav. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Gori Marele Najariya's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gori Marele Najariya by Rambriksh Yadav is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaja Ve Mahi | Hans Raj Hans | A♭ Major | 6 | 4B | 111 BPM | ||
| Sodun De Daruchi Vait Chal | Vijay Sartape | A♭ Major | 8 | 4B | 173 BPM | ||
| Aadhi - Aadhi Ratiya Ke | Madan Rai | A♭ Major | 7 | 4B | 106 BPM | ||
| Bhanvarwa Ke Tohra Sang Jaai | Madan Rai | F♯ Major | 6 | 2B | 156 BPM | ||
| Jagh Wala Mela | Heera Group, Kuljit Bhamra | D♭ Minor | 8 | 12A | 95 BPM | ||
| Pagal Bhail Diwana - Deewana Pagal Bhail | Om Prakash Diwana | A Major | 7 | 11B | 174 BPM | ||
| Khanak Jaye Kangna | Rambriksh Yadav, Party | F♯ Major | 6 | 2B | 118 BPM | ||
| Shyam Bansi Na | Sadhvi Poornima | A♭ Minor | 8 | 1A | 86 BPM | ||
| Shraddha Ke Do Fool | Sumit Kalanaur | G Minor | 9 | 6A | 116 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Chimta Taan Vajda | Attaullah Khan | F♯ Major | 7 | 2B | 78 BPM | ||
| Dahej Deke Kinale Bani | Karina Pandey, Sovita Pandey, Hema Pandey | A♭ Major | 9 | 4B | 94 BPM | ||
| Mere Saath Ko Verna Re Mero Khulo Naseeb | Brijesh Kumar Shastri | E Minor | 7 | 9A | 79 BPM | ||
| Tere dar aaya main aaya tujhko lene - Live | Kanhiya Mittal | F Minor | 8 | 4A | 114 BPM | ||
| Mangal Ki Sewa (Aarti Kaali Mata Ki) | Lakhbir Singh Lakkha | B♭ Minor | 6 | 3A | 100 BPM | ||
| Nainan Ke Baan Chala Daye Ree | Deshraj Patairiya | A♭ Major | 3 | 4B | 155 BPM | ||
| Tum Maat Pita | Gurbani Vichar, Waheguru Waves | E Minor | 6 | 9A | 141 BPM | ||
| Ek Baar Awo Ji Jawai Ji Pawna | Mamta Singh | F♯ Major | 7 | 2B | 108 BPM | ||
| Chand Chadyo Gignar | Mamta Singh | B♭ Minor | 5 | 3A | 83 BPM | ||
| MATA MADANAN KA SOL | Ashu Verma | A Major | 8 | 11B | 106 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Aa Gayi Bharat Mai Variety | Brijesh Shastri | B Major | 7 | 1B | 95 BPM | ||
| Aage Sukh Mere Meeta | Bhai Sarabjit Singh Ji Patna Sahib Wale | E♭ Major | 8 | 5B | 105 BPM | ||
| Gaon Runicha Me Ramdev Avtar | Shyam Paliwal | F♯ Minor | 8 | 11A | 107 BPM | ||
| Bhooli Bhatki Van Van Roi Sita Ram Ke Bina Bundeli Bhajan | Chandra Bhushan Pathak | F♯ Minor | 8 | 11A | 77 BPM |