- BPM
- 94
- Key
- F♯ Major
- Camelot
- 2B
The Distance by Ann Moss, Kev Choice Song Details
"The Distance" by Ann Moss, Kev Choice had its release date on April 15, 2023. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. Since The Distance only contains only one song in the album, we like to consider this song as a single. In terms of popularity, The Distance is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
With The Distance by Ann Moss, Kev Choice having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -9.805 dB
- Acousticness
- 47%
- Danceability
- 65%
- Energy
- 67%
- Instrumentalness
- 0%
- Liveness
- 22%
- Loudness
- 84%
- Speechiness
- 12%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | |
 | Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | |
 | Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | |
 | Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | |
 | Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | |
 | Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | |
 | Gilgamesh, Tablet 8: Grief | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | |
 | A Mother's prayer | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders, Thomas Berg-Juul | F♯ Minor | 0 | 11A | 71 BPM | |
 | Silent, alone | Don Walker, Ann Moss, Karen Rosenak | F Major | 1 | 7B | 171 BPM | |
 | From a Pandemic Garden: 4. February 2021 | Nancy Bachmann, Ann Moss, Ed Broms | B Major | 3 | 1B | 124 BPM | |
 | Full Fathom Five: 1. Exiled | Ann Moss, Emil Miland, Steven Bailey | E Major | 2 | 12B | 174 BPM | |
 | 4 Beautiful Songs: No. 4, The Blouse | Kirk O'Riordan, Holly Roadfeldt, Ann Moss, Peter Dutilly | A Major | 1 | 11B | 104 BPM | |
 | L'Inconstante | Isabelle Aboulker, Julie Roset, Susan Manoff | C Major | 1 | 8B | 77 BPM | |
| Gilgamesh, Tablet 3: Hunt | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | |
 | In Blackwater Woods | Ann Moss | F Major | 2 | 7B | 78 BPM | |
 | Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | E♭ Minor | 3 | 2A | 102 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | C Major | 1 | 8B | 63 BPM | |
 | 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 102 BPM | |
 | Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | C Major | 1 | 8B | 63 BPM | |
 | Sam | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | |
 | Barber: 3 Songs, Op. 10: No. 2, Sleep Now | Samuel Barber, Jennifer Larmore, Antoine Palloc | F♯ Major | 1 | 2B | 82 BPM | |
 | Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | |
 | Considering Matthew Shepard, Passion: No. 7, The Fence (That Night) | Craig Hella Johnson, Lesléa Newman, Hildegard von Bingen, Conspirare | D Minor | 1 | 7A | 104 BPM | |
| O merry bird | Don Walker, Ann Moss, Karen Rosenak | D Minor | 1 | 7A | 85 BPM | |
 | Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM |
- ISRC
- QMDEY2300001
- Label
- L-M Records/RCA Records