"The Brightest Form of Absence: IX. Death Valley Rd 127 (2)" by Hans Thomalla, Sarah Sun, SWR Experimentalstudio, Ensemble Musikfabrik, Enno Poppe had its release date on August 1, 2013. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Brightest Form of Absence: IX. Death Valley Rd 127 (2)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 23 in Donaueschinger Musiktage 2011 by François-Xavier Roth, Enno Poppe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Brightest Form of Absence: IX. Death Valley Rd 127 (2) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Brightest Form of Absence: IX. Death Valley Rd 127 (2) by Hans Thomalla, Sarah Sun, SWR Experimentalstudio, Ensemble Musikfabrik, Enno Poppe is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| The Brightest Form of Absence: IX. Death Valley Rd 127 (2) | Hans Thomalla, Sarah Sun, SWR Experimentalstudio, Ensemble Musikfabrik, Enno Poppe | B♭ Major | 7 | 6B | 72 BPM | ||
| 10.1 | jung jaeil, Budapest Scoring Orchestra and Choir, Jung Eun Hye | G Minor | 0 | 6A | 67 BPM | ||
| Pari Intervallo | Cello Octet Amsterdam | E Minor | 0 | 9A | 80 BPM | ||
| Fremd: Lullaby I - 3. Szene - Finale Korinth | Hans Thomalla, Staatsopernchor Stuttgart, Staatsorchester Stuttgart | E♭ Major | 1 | 5B | 177 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | E♭ Major | 1 | 5B | 177 BPM | ||
| Bright Edge Deep: The Block Split | Sarah Neutkens, Alma Quartet Amsterdam | A Minor | 1 | 8A | 80 BPM | ||
| Emily — No Prisoner Be: No. 14, Interlude No. 2 | Kevin Puts, Time For Three | E♭ Major | 1 | 5B | 177 BPM | ||
| Les chauves-souris choréographique | Niklas Sivelov | A Minor | 3 | 8A | 171 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E♭ Major | 1 | 5B | 177 BPM | ||
| BALLAS VI | Ruthlesskid | D♭ Major | 0 | 3B | 65 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| Particles Waves | Benjamin Woodgates, Calum Huggan, Angela Wai Nok Hui | E♭ Major | 1 | 5B | 177 BPM | ||
| Wandering Still | Era eScapes | F♯ Minor | 0 | 11A | 68 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| New Skull VI | R.Kuhn | C Minor | 7 | 5A | 78 BPM | ||
| Tree Rings | David Tarrodi | B♭ Major | 1 | 6B | 131 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | E♭ Major | 1 | 5B | 177 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM | ||
| Seven Nuggets: I. Fire Opal | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Somebody's Leg Man | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 1 | 5A | 116 BPM | ||
| Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
| The Ships | Julia Kent | F Major | 0 | 7B | 89 BPM |