- BPM
- 113
- Key
- D Major
- Camelot
- 10B
Ecossaises (Scottish Dances) Op. 72, Selections - Duo-Art 5782 by Frédéric Chopin, Alberto Jonás, Peter Phillips Song Details
On September 10, 2024, the song "Ecossaises (Scottish Dances) Op. 72, Selections - Duo-Art 5782" was released by Frédéric Chopin, Alberto Jonás, Peter Phillips. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Rendezvous. Piano Revelations from the Golden Age (Extended Edition)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ecossaises (Scottish Dances) Op. 72, Selections - Duo-Art 5782 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With Ecossaises (Scottish Dances) Op. 72, Selections - Duo-Art 5782 by Frédéric Chopin, Alberto Jonás, Peter Phillips having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -22.519 dB
- Acousticness
- 99%
- Danceability
- 42%
- Energy
- 13%
- Instrumentalness
- 85%
- Liveness
- 12%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 83%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | |
 | Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM | |
 | 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | |
 | Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | |
 | Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM | |
 | 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | |
 | Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | |
 | Prelude No. II | Aprelstein | D Minor | 0 | 7A | 88 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM | |
 | Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | |
 | Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff) | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | |
 | Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel | E♭ Major | 1 | 5B | 82 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | |
 | Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | |
 | Gnossienne: No. 6 | Erik Satie, Alexandre Tharaud | G Minor | 0 | 6A | 106 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | |
 | Brahms - Op.117 No.2 Intermezzo B-flat minor | Elena Kuschnerova | D♭ Major | 0 | 3B | 68 BPM | |
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |
- ISRC
- DEPI82441743
- Label
- L-M Records/RCA Records