Cello Sonata, Op. 26: II. — by Aulis Sallinen, Mats Rondin Song Details

"Cello Sonata, Op. 26: II. —" by Aulis Sallinen, Mats Rondin had its release date on December 31, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Sallinen: Complete Works for Violin, Cello, Double Bass and Piano". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Cello Sonata, Op. 26: II. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Cello Sonata, Op. 26: II. — by Aulis Sallinen, Mats Rondin having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-17.498 dB
Acousticness
91%
Danceability
26%
Energy
24%
Instrumentalness
2%
Liveness
25%
Loudness
71%
Speechiness
5%
Valence
15%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Hindemith: Mathis der Maler, Bild 6: Hindemith: Mathis der Maler, Bild 6: "Der liebste Vater, er verstand mich" (Regina, Mathis)Paul Hindemith, Rafael Kubelík, Dietrich Fischer-Dieskau, Urszula Koszut, Bavarian Radio Symphony OrchestraG Minor06A87 BPM
Fantasia On Serbian Themes, Op. 6 by Moscow Symphony Orchestra, Nikolai Rimsky-KorsakovFantasia On Serbian Themes, Op. 6Moscow Symphony Orchestra, Nikolai Rimsky-KorsakovD Major010B69 BPM
Las Hijas del Zebedeo: Carceleras by Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio LuisiLas Hijas del Zebedeo: CarcelerasRuperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio LuisiD Minor17A82 BPM
Don Carlos, Act I: Dio, che nell'alma infondere by Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Orchester der Wiener Staatsoper, Herbert von KarajanDon Carlos, Act I: Dio, che nell'alma infondereGiuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Orchester der Wiener Staatsoper, Herbert von KarajanC Major48B145 BPM
Rauta-aika (the Iron Age) Suite, Op. 55: II. Ainon laulu [the Song of Aino] by Aulis Sallinen, Helsinki Philharmonic Orchestra, Okko KamuRauta-aika (the Iron Age) Suite, Op. 55: II. Ainon laulu [the Song of Aino]Aulis Sallinen, Helsinki Philharmonic Orchestra, Okko KamuF♯ Minor211A83 BPM
Elegia - Sebastian Knight´ille by Aulis Sallinen, Dan StyffeElegia - Sebastian Knight´illeAulis Sallinen, Dan StyffeA♭ Major14B79 BPM
Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto by Jean Sibelius, New Zealand Symphony Orchestra, Pietari InkinenSymphony No. 6 in D Minor, Op. 104: IV. Allegro moltoJean Sibelius, New Zealand Symphony Orchestra, Pietari InkinenD Minor17A115 BPM
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian BoeschStabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo)Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian BoeschB♭ Minor03A79 BPM
Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles MackerrasRusalka, Op. 114 / Act 3: Milácku, znás mne, znás?Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles MackerrasD♭ Major13B62 BPM
Mefistofele / Act III: Mefistofele / Act III: "L'altra notte in fondo al mare"Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoC Major08B78 BPM
La traviata, Act II: Invitato a qui seguirmi by Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos KleiberLa traviata, Act II: Invitato a qui seguirmiGiuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos KleiberA♭ Major34B91 BPM
Rusalka, Op. 114 / Act 1: Sestry, jedna scházi z nás! by Antonín Dvořák, Franz Hawlata, Ben Heppner, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles MackerrasRusalka, Op. 114 / Act 1: Sestry, jedna scházi z nás!Antonín Dvořák, Franz Hawlata, Ben Heppner, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles MackerrasG Major29B138 BPM
Messa di Requiem: Agnus dei by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner PhilharmonikerMessa di Requiem: Agnus deiGiuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner PhilharmonikerC Major08B90 BPM
Pelléas et Mélisande, CD 93, Act III: Mes longs cheveux descendent by Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio AbbadoPelléas et Mélisande, CD 93, Act III: Mes longs cheveux descendentClaude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio AbbadoA Minor18A123 BPM
Lucia di Lammermoor / Act 2: Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà"Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeF♯ Minor211A81 BPM
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld by Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de MontréalLieder eines fahrenden Gesellen: Gieng heut' Morgen über's FeldGustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de MontréalE♭ Major05B80 BPM
Falstaff: Act III: Una, due, tre .... by Giuseppe Verdi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Franco de Grandis, Dilber, Enrico Facini, Julia Faulkner, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Will HumburgFalstaff: Act III: Una, due, tre ....Giuseppe Verdi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Franco de Grandis, Dilber, Enrico Facini, Julia Faulkner, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Will HumburgD♭ Major03B82 BPM
Symphony No. 8 in E-Flat Major Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gloria sit Patri DominGustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir, Warsaw Philharmonic Orchestra, Antoni WitA♭ Major24B85 BPM
Schoenberg: Gurre-Lieder, Pt. 1: Schoenberg: Gurre-Lieder, Pt. 1: "Ross! Mein Ross!" (Waldemar)Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas QuasthoffE Major312B68 BPM
Belshazzar's Feast, JS 48: Prelude. Nocturno by Jean Sibelius, Turku Philharmonic Orchestra, Leif SegerstamBelshazzar's Feast, JS 48: Prelude. NocturnoJean Sibelius, Turku Philharmonic Orchestra, Leif SegerstamG Major29B98 BPM
Otello, Act II: Dove guardi splendono… Non parlo ancor di prova by Giuseppe Verdi, Sebastian Catana, Raffaella Angeletti, Robert Dean Smith, Orfeon Donostiarra, Los Peques del León de Oro, Oviedo Filarmonía, Friedrich HaiderOtello, Act II: Dove guardi splendono… Non parlo ancor di provaGiuseppe Verdi, Sebastian Catana, Raffaella Angeletti, Robert Dean Smith, Orfeon Donostiarra, Los Peques del León de Oro, Oviedo Filarmonía, Friedrich HaiderG Minor16A103 BPM
Wagner: Lohengrin, Act 1: Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus)Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle BerlinF Major17B81 BPM
Symphony No. 8 in E-Flat Major Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schonGustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni WitA♭ Major24B85 BPM
Parsifal, Act II: Parsifal! Weile! by Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Dunja Vejzovic, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper BerlinParsifal, Act II: Parsifal! Weile!Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Dunja Vejzovic, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper BerlinB♭ Minor33A116 BPM
Symphony No.8 in E flat - Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino"Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg SoltiE♭ Major55B102 BPM
ISRC
HKI199719705
Label
L-M Records/RCA Records