"Parsifal, Act II: Parsifal! Weile!" by Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Dunja Vejzovic, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin had its release date on April 19, 2024. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Wagner, Herbert von Karajan, Carl Maria von Weber, Anton Webern, Ermanno Wolf-Ferrari's "Karajan A-Z: Wagner - Wolf-Ferrari" album is number 208 out of 263. On top of that, Germany appears to be the country where this track was created. Parsifal, Act II: Parsifal! Weile! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Parsifal, Act II: Parsifal! Weile! by Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Dunja Vejzovic, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
| Wagner: Tristan und Isolde, Act 2: "Hörst du sie noch?" (Isolde, Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Waltraud Meier | B♭ Major | 2 | 6B | 62 BPM | ||
| Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 2 | 5B | 83 BPM | ||
| Madama Butterfly / Act 2: Suzuki! Suzuki! Dove sei? | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| Carmina Burana: XIII. Ego sum abbas | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | ||
| Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
| Tosca / Act 2: "Tosca è un buon falco!" | Giacomo Puccini, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 71 BPM | ||
| Der Freischütz, J. 277, Act II: Schelm! Halt fest! | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 91 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Infirma nostri corporis | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 1 | 5B | 87 BPM | ||
| Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor | Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey | A♭ Major | 1 | 4B | 64 BPM | ||
| Elias, Op. 70, MWV A25, Part I: No. 8, Recitative, Aria "Was hast du an mir getan" (Die Witve, Elijah) | Felix Mendelssohn, Soile Isokoski, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
| Turandot, Act I: Popolo di Pekino! (Un Mandarino, Coro) | Giacomo Puccini, Siegmund Nimsgern, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor | A Major | 3 | 11B | 88 BPM | ||
| Siegfried, WWV 86C / Act I: "Hoiho! Hoiho! Hau ein!" | Richard Wagner, Jess Thomas, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 76 BPM | ||
| Wagner: Lohengrin, Act 1: "Du trugest zu ihm meine Klage" (Elsa, Chor) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin | A Major | 3 | 11B | 88 BPM | ||
| Verdi: Aida, Act 1: "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM | ||
| La bohème, Act I: Si sente meglio? | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
| Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
| Wagner: Lohengrin, Act 1: "Seht hin! Sie naht, die hart Beklagte!" (Chor, König Heinrich, Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | A Major | 3 | 11B | 88 BPM | ||
| Wagner: Tristan und Isolde, Act 2: "So starben wir, um ungetrennt" (Isolde, Tristan, Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Siegfried Jerusalem, Waltraud Meier | D Major | 0 | 10B | 101 BPM | ||
| Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 93 BPM | ||
| Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
| Ein deutsches Requiem, Op. 45: III. Solo Baritone & Chorus. Herr, lehre doch mich | Johannes Brahms, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 1 | 9B | 85 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| Nabucco / Act 4: Son pur queste mie membra | Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Minor | 1 | 7A | 83 BPM |