"Tosca / Act 2: "Tosca è un buon falco!"" by Giacomo Puccini, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1980. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Puccini: Tosca". In this album, this song's track order is #11. Tosca / Act 2: "Tosca è un buon falco!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 2: "Tosca è un buon falco!" by Giacomo Puccini, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
| Carmen / Act 3: Carreau! Pique! ...La Mort! | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 119 BPM | ||
| Don Giovanni, K. 527, Act I: Dalla sua pace, K. 540a (Vienna Version) | Wolfgang Amadeus Mozart, Gösta Winbergh, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 83 BPM | ||
| Das Rheingold, Scene 4: So grüss' ich die Burg | Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 168 BPM | ||
| La traviata / Act 3: "Annina?" "Comandate?" | Giuseppe Verdi, Cheryl Studer, Sondra Kelly, Julien Robbins, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 167 BPM | ||
| Orff: Carmina Burana, Pt. 3 "Cour d'amours": Dies, nox et omnia | Carl Orff, Sir Simon Rattle, Christian Gerhaher, Berliner Philharmoniker | A Major | 0 | 11B | 78 BPM | ||
| Don Giovanni, K. 527, Act II: In quali eccessi, K. 540c (Recit., Vienna Version) | Wolfgang Amadeus Mozart, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 72 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
| Don Giovanni, K. 527, Act II: No. 23b, Non mi dir, bell'idol mio | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 107 BPM | ||
| Parsifal, Act I: Weh! ... Hoho! ... Auf! ... Wer ist der Frevler? – Du konntest morden, hier, im heil'gen Walde | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Claes-Håkon Ahnsjö, Peter Hofmann, Georg Tichy, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 165 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "La cloche a sonné, nous, des ouvrières" (Chœur) | Georges Bizet, Sir Simon Rattle, Chor der Deutschen Staatsoper Berlin, Berliner Philharmoniker | E Major | 0 | 12B | 91 BPM | ||
| L'amico Fritz / Act 1: Son pochi fiori | Pietro Mascagni, Angela Gheorghiu, Roberto Alagna, Orchester der Deutschen Oper Berlin, Alberto Veronesi | E♭ Major | 1 | 5B | 96 BPM | ||
| Tosca, Act II: Vissi d'arte | Giacomo Puccini, Eleonora Buratto, Ludovic Tezier, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Gianni Schicchi: "Quale aspetto sgomento e desolato!" | Giacomo Puccini, Leo Nucci, Roberto Alagna, Mirella Freni, Ricardo Cassinelli, Ewa Podles, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 2 | 3B | 138 BPM | ||
| Messa di Requiem, Dies irae: Recordare | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 1 | 7B | 75 BPM | ||
| Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | ||
| Wagner: Tristan und Isolde, Act 3: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Herbert von Karajan, Helga Dernesch, Berliner Philharmoniker | E Major | 2 | 12B | 147 BPM | ||
| Die Walküre, WWV 86B / Act I: "O süsseste Wonne! Seligstes Weib!" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | ||
| Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!" | Giuseppe Verdi, Anthony Mee, Anatolij Kotscherga, Bryn Terfel, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| I Puritani / Act 2: Ah dolor! Ah terror! | Vincenzo Bellini, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | G Major | 1 | 9B | 71 BPM | ||
| Wagner: Tristan und Isolde, Act 2: "So starben wir, um ungetrennt" (Isolde, Tristan, Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Siegfried Jerusalem, Waltraud Meier | D Major | 0 | 10B | 101 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| Verdi: Il trovatore, Act 4 Scene 1: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 2 | 10B | 169 BPM | ||
| Don Giovanni, K. 527, Act I: No. 8, Ah fuggi il traditor | Wolfgang Amadeus Mozart, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 104 BPM | ||
| Salve Regina | Giacomo Puccini, Chiara Taigi, Roberto de Thierry, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM |