On October 20, 2022, the song "Medium allegro" was released by Johann Strauss I, 이현정. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 26 in Ballet class 2 (발레 클래스 2) by 이현정. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. In terms of popularity, Medium allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Medium allegro by Johann Strauss I, 이현정 is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vienna Concerto - Remasterizado | Franz von Suppé, Johann Strauss I, Johannes Brahms, Richard Rodgers, Wolfgang Amadeus Mozart, Oscar Hammerstein II, Luis Cobos, Royal Philharmonic Orchestra | D Major | 5 | 10B | 137 BPM | ||
| Scalando - Remasterizado | Luis Cobos | F Major | 4 | 7B | 138 BPM | ||
| Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
| The Typewriter - La Maquina De Escribir | Leroy Anderson, Inma Shara | G Major | 2 | 9B | 128 BPM | ||
| Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
| Carmen Suite No. 1: VI. Les toréadors (Act I Prelude. Allegro giocoso) – I. Andante moderato (Fate Motive) | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM | ||
| Nutcracker - Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 1 | 10B | 100 BPM | ||
| Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 1 | 5A | 100 BPM | ||
| La vie parisienne: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | F Major | 4 | 7B | 89 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Britta Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 87 BPM | ||
| Salute Galop | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 3 | 12B | 79 BPM | ||
| Il barbiere di Siviglia: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| Carmen, WD 31: Prelude to Act 1 | Georges Bizet, Staatskapelle Dresden, Silvio Varviso | F Major | 4 | 7B | 128 BPM | ||
| Don Quixote: Act I: Street Dancer and Toreador | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 3 | 8B | 123 BPM | ||
| Nach Herzenslust Polka schnell, op. 155 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | G Major | 2 | 9B | 76 BPM | ||
| Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
| Spanish Capriccio, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Metamorphose String Orchestra, Pavel Lyubomudrov | F Major | 0 | 7B | 76 BPM | ||
| Les contes d'Hoffmann (the Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
| William Tell Overture | Arthur Fiedler, Gioachino Rossini, Boston Pops Orchestra | E Major | 7 | 12B | 170 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM |