"Spanish Capriccio, Op. 34: I. Alborada" by Nikolai Rimsky-Korsakov, Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on March 6, 2020. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 4 in the song's album "Rimsky-Korsakov: Spanish Capriccio". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Spanish Capriccio, Op. 34: I. Alborada is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spanish Capriccio, Op. 34: I. Alborada by Nikolai Rimsky-Korsakov, Metamorphose String Orchestra, Pavel Lyubomudrov having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks upon a Cliff Surmounted by a Bronze Horseman | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 3 | 8B | 99 BPM | ||
| Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
| Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 120 BPM | ||
| Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Finale (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 79 BPM | ||
| Ohne Bremse, Op. 238: Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | D Major | 4 | 10B | 145 BPM | ||
| Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | C Major | 2 | 8B | 84 BPM | ||
| Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
| Lagunen, Op. 411: Lagunen Waltz, Op. 411 | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 1 | 8B | 185 BPM | ||
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Snow White: XIV. Prince’s Cavalcade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Wedding Day at Troldhaugen | Edvard Grieg, The New Symphony Orchestra Of London, Charles Mackerras | G Major | 1 | 9B | 136 BPM | ||
| Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
| Snow White: XIX. We are Dwarfs | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | ||
| Transactionen, Walzer, Op. 184 | Josef Strauss, Riccardo Muti, Wiener Philharmoniker | A Minor | 1 | 8A | 87 BPM | ||
| L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
| Eugene Onegin (continued) (Act 3): Polonaise | Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov | G Major | 1 | 9B | 206 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM |