Messiah / Part 3: "Since by man came death" by George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Song Details

"Messiah / Part 3: "Since by man came death"" by George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on January 1, 1976. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 17 out of 37. Based on our statistics, Messiah / Part 3: "Since by man came death"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah / Part 3: "Since by man came death" by George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -19.642 dB
Acousticness: 98%
Danceability: 28%
Energy: 6%
Instrumentalness: 23%
Liveness: 27%
Loudness: 67%
Speechiness: 4%
Valence: 7%

Recommendations

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Messiah, HWV 56: Part 2: Hallelujah (Chorus)	Nikolaus Harnoncourt	D♭ Major	3	3B	86 BPM
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Messiah, HWV 56 / Pt. 2: How Beautiful Are The Feet Of Them	George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott	G Minor	1	6A	77 BPM
Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio - Allegro - Adagio	Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla	E♭ Major	0	5B	122 BPM
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes	Wolfgang Amadeus Mozart, Emma Kirkby, Winchester College Quiristers, Winchester Cathedral Choir, Academy of Ancient Music, Christopher Hogwood	F Major	1	7B	87 BPM
Messiah, HWV 56 / Pt. 1: "Rejoice Greatly, O Daughter Of Zion"	George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	1	6B	60 BPM
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Lift Up Your Heads O Ye Gates	101 Strings Orchestra	F Major	5	7B	105 BPM
Ode for St. Cecilia's Day, HWV 76: Air and chorus: The trumpet's loud clangour	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
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