"Prometheus: Scene 6, Welches Land? Welcher Stamm?" by Carl Orff, Rafael Kubelík, Roland Hermann, Colette Lorand, Erika Rüggeberg, Isolde Mitternacht, Julia Falk, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks had its release date on January 1, 2016. This song appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Orff: Prometheus". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Prometheus: Scene 6, Welches Land? Welcher Stamm? is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prometheus: Scene 6, Welches Land? Welcher Stamm? by Carl Orff, Rafael Kubelík, Roland Hermann, Colette Lorand, Erika Rüggeberg, Isolde Mitternacht, Julia Falk, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Carmen Suite No. 2: II. Habanera | Georges Bizet, David Parry, London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
| Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
| Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
| La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Paavo Järvi, Orchestre Philharmonique de Radio France | A Minor | 2 | 8A | 94 BPM | ||
| Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
| The Four Seasons - Violin Concerto in F Minor, RV 297, "Winter": I. Allegro non molto | Cappella Gabetta, Andrés Gabetta | F Minor | 3 | 4A | 86 BPM | ||
| Andachtsjodler für gemischten Chor a cappella Version 1, Musik für Kinder III Nr. 29, Carl Orff 1953 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | F Major | 0 | 7B | 83 BPM | ||
| La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
| Gnossienne No. 1 | Erik Satie, William Masselos | F Minor | 0 | 4A | 66 BPM | ||
| Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Carmina Burana: XXIV. Ave formosissima | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
| Toccata Y Fuga en Re Menor | Orquesta Sinfónica De Radio Hamburgo | D Minor | 1 | 7A | 93 BPM | ||
| Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | A Minor | 0 | 8A | 81 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 83 BPM | ||
| Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | F Major | 8 | 7B | 131 BPM | ||
| Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
| La Cabalgata De Las Valkirias - De La Opera "La Valkiria" | Richard Wagner, Inma Shara | B Major | 3 | 1B | 94 BPM | ||
| Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM |