"Requiem: VI. Agnus Dei" by Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin had its release date on July 31, 2007. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Pierre de la rue: Missa "l'homme armé", Requiem". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Requiem: VI. Agnus Dei is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: VI. Agnus Dei by Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psaume 50: Le Dieu, le Fort, l'Eternel parlera | Dominique Visse, Christine Frantzen | B Major | 0 | 1B | 86 BPM | ||
| O Virgo splendens (canon a 3 & monodic) | Jordi Savall | A Minor | 3 | 8A | 74 BPM | ||
| Missa de Sancto Job: X. Et ex Patre | Pierre de la Rue, Orlando Consort | D Minor | 1 | 7A | 64 BPM | ||
| Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| Cleofide, Act I Scene 6: Aria. S'appresti omai la Vittima (Timagene) | Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 124 BPM | ||
| Osculetur me: I. Osculetur me osculo oris sui | Pierre de Manchicourt, El León de Oro, Peter Phillips | C Minor | 2 | 5A | 134 BPM | ||
| Messe de Notre-Dame: V. Alleluia. Adorabo ad templum sanctum | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F Major | 1 | 7B | 126 BPM | ||
| Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
| Requiem: III. Psalmus | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | B Major | 1 | 1B | 180 BPM | ||
| Adoramus te - Anonymous (Montecassino Songbook) | T Rad, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | E Minor | 0 | 9A | 136 BPM | ||
| Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
| L'Orfeo, SV 318, Atto II: In un fiorito prato (Messagiera, Pastori) | Claudio Monteverdi, Jennifer Larmore, René Jacobs, Concerto Vocale, Dominique Visse, Gerd Türk, Nicolas Rivenq, Ulrich Messthaler | D Minor | 1 | 7A | 79 BPM | ||
| Introit: Puer natus est | Currentes | A♭ Major | 0 | 4B | 129 BPM | ||
| O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
| Lamento: Plange Castella misera - Anónimo, Códice de Las Huelgas, f. 160, s. X | Jordi Savall, Marc Mauillon | F♯ Minor | 1 | 11A | 131 BPM | ||
| Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | C Major | 0 | 8B | 62 BPM | ||
| Beata Viscera I | Pérotin, Apollo5 | A Minor | 0 | 8A | 67 BPM | ||
| Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | E♭ Major | 1 | 5B | 139 BPM | ||
| Missa Se la face ay pale: III. Gloria | Guillaume Dufay, Diabolus in Musica, Antoine Guerber | E Minor | 2 | 9A | 102 BPM | ||
| In I Vesperis: Antiphona. Laus et perhennis | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Hellas mon Dieu ton ire | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 93 BPM | ||
| Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM |