Sextet in D Minor, Op. 70, TH. 118 - "Souvenir de Florence" - Version For Orchestra: II. Adagio cantabile e con moto by Pyotr Ilyich Tchaikovsky, Orpheus Chamber Orchestra Song Details

"Sextet in D Minor, Op. 70, TH. 118 - "Souvenir de Florence" - Version For Orchestra: II. Adagio cantabile e con moto" by Pyotr Ilyich Tchaikovsky, Orpheus Chamber Orchestra had its release date on January 1, 1997. This song appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Sextet in D Minor, Op. 70, TH. 118 - "Souvenir de Florence" - Version For Orchestra: II. Adagio cantabile e con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Sextet in D Minor, Op. 70, TH. 118 - "Souvenir de Florence" - Version For Orchestra: II. Adagio cantabile e con moto by Pyotr Ilyich Tchaikovsky, Orpheus Chamber Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -16.227 dB
Acousticness: 96%
Danceability: 17%
Energy: 24%
Instrumentalness: 15%
Liveness: 11%
Loudness: 73%
Speechiness: 5%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	G Minor	3	6A	140 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM
The Tale of Tsar Saltan: Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	G Major	1	9B	80 BPM
Rhapsody on a Theme of Paganini, Op. 43: Variation 18	Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit	D♭ Major	1	3B	76 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro	Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti	D Minor	3	7A	107 BPM
Waltzes, Op. 64, B. 164: No. 1 in D-Flat Major "Minute Waltz"	Frédéric Chopin, Vittorio Forte	G Minor	0	6A	77 BPM
Carnival of the Animals, R. 125: The Swan	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	G Major	0	9B	118 BPM
Waltz in A flat major, Op.39 No. 15	Johannes Brahms, Radio Symphony Orchestra	A Major	1	11B	89 BPM
Masquerade Suite: Maskarad (Masquerade): I. Waltz	St. Petersburg State Symphony Orchestra, Aram Khachaturian	C Major	3	8B	94 BPM
Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo)	Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra	D Major	1	10B	97 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Giselle, Act 1: Overture	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Giselle, Act II: Entree de Loys - Pas de deux	Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	144 BPM
Scheherazade: The voice of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	132 BPM
Giselle / Act 2: Grand pas de deux: Adage	Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	E♭ Major	0	5B	73 BPM
Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March]	Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov	C Major	4	8B	135 BPM
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	G Major	1	9B	122 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Swan Lake, Op. 20: Introduction	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	D Major	1	10B	78 BPM
Holberg Suite, Op. 40: IV. Air (Andante religioso)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	C Major	1	8B	79 BPM
Midsummer Night's Dream, Op. 61: No. 9, Wedding March	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	C Major	2	8B	74 BPM
Marche slav, Op. 31, TH 45: Marche slave (Slavonic March), Op. 31 [Live]	Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper	E♭ Major	2	5B	66 BPM
Serenade	Jairos	C Major	2	8B	118 BPM