Tapsiram Rathod's ' "Nivedan" was released on its scheduled release date, January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 8 in Banjara Bhakti Bhajan, Pt. 1 by Tapsiram Rathod. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nivedan's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nivedan by Tapsiram Rathod is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Goriya Hum Tumse Pyar Karega | Devdas, Sarita Devi | D♭ Major | 7 | 3B | 151 BPM | ||
| Ghadi Ghadi Uthtoy | Milind Shinde | B Major | 6 | 1B | 94 BPM | ||
| Samki Mata Durga Devi, Pt. 3 | Tapsiram Rathod | B Minor | 8 | 10A | 180 BPM | ||
| Kharanch Ghalto Haluhalu | Milind Shinde | G Major | 5 | 9B | 118 BPM | ||
| Ye Hum Se Na Hoga | Ram Shankar | F♯ Major | 4 | 2B | 122 BPM | ||
| Mari Yadi Ro Mandir Kaso Zhakukere | Tapsiram Rathod | A Major | 8 | 11B | 141 BPM | ||
| Tuna Nav Na Diwana | Bhaiya More, Megha Musale | C Major | 7 | 8B | 83 BPM | ||
| Ram Lachmanairi Aarti (Aarti) | Tapsiram Rathod | A♭ Major | 6 | 4B | 88 BPM | ||
| Star Pravah Nasheebvan Male Version | Jaydeep Vaidya, Ashwini Shende, AV Prafullachandra | B♭ Minor | 4 | 3A | 100 BPM | ||
| Guruvar Guruvar Mazya Sai Cha Hay Vaar | Parmesh Mali, Roshan Bhoir Rb | E Minor | 9 | 9A | 135 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Kasa Nashibane Kela Maza Ghat | Kishor Jawale | A♭ Major | 9 | 4B | 173 BPM | ||
| Shital Che Haldila Go | Parmesh Mali, Prakash Chougule | A♭ Major | 9 | 4B | 85 BPM | ||
| Bhajre Manva | Tapsiram Rathod | A♭ Major | 5 | 4B | 101 BPM | ||
| Kaurav Pandav Yudh, Pt. 1 | Tapsiram Rathod | B Minor | 8 | 10A | 180 BPM | ||
| Jai Jagadambaiye Mata | Tapsiram Rathod | C Major | 5 | 8B | 83 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Pehlo Paat Alakhji Ro Mandiyo | Anita Jangid | A♭ Minor | 8 | 1A | 168 BPM | ||
| Maan Ched Mat | Tapsiram Rathod, Kamla Rathod | A Minor | 6 | 8A | 129 BPM | ||
| Dev Bhola Malhari (From "Banusaathi Khandoba Yeda Jhala (Shri Khanderayachi Bhakti Geete)") | Milind Shinde | F♯ Major | 7 | 2B | 154 BPM | ||
| Tu Dhoka Ga Dila | Kishor Jawale | D Minor | 8 | 7A | 82 BPM | ||
| Javai Bapu Maza Paisewala | Jagdish Patil | F Minor | 8 | 4A | 100 BPM | ||
| Gori Gori Gaaw Ki Chori | Sanjay Kirade | G Major | 6 | 9B | 182 BPM | ||
| Ramai Che Upkaar | Kadubai Kharat, Dhamma Dhanve | B Minor | 8 | 10A | 180 BPM | ||
| Nay Mi Bhagyawan | Chandan Kamble | B Minor | 9 | 10A | 127 BPM |