William Albright, Douglas Reed's 'Four Fancies: Danza Ostinata' had a release date set for September 1, 1997. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 11 in Eastman American Music Series, Vol. 3 by Douglas Reed. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Four Fancies: Danza Ostinata is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Four Fancies: Danza Ostinata by William Albright, Douglas Reed is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dizzy Fingers | Zez Confrey, William Albright | G Minor | 4 | 6A | 180 BPM | ||
| The Duke of Marlborough Fanfare | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Desert and the Parched Land | Dave Brubeck, Houston Chamber Choir, Robert Simpson, The Paul English Quartet, Horace Alexander Young | C Major | 2 | 8B | 182 BPM | ||
| An American in Paris: Blues | Nubilaria Clarinet Ensemble | A♭ Major | 1 | 4B | 70 BPM | ||
| Winter Sonata | William WooJin | G Major | 4 | 9B | 140 BPM | ||
| Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | ||
| Sonata for Alto Saxophone & Piano: IV. Recitative & Dance | William Albright, Timothy McAllister, Liz Ames | D♭ Minor | 2 | 12A | 173 BPM | ||
| Jete 2 | Catelijne Smit | F Major | 0 | 7B | 76 BPM | ||
| A Song to David: Pt. I, David: Invocation (Chorus) | William Albright, Deborah Carbaugh, Susan Sacquitne-Druck, Rick Penning, James Bohn, Melissa Semmes, Charles Russell, Dean Billmeyer, St. Mark's Cathedral Choir, Howard Don Small | G Major | 2 | 9B | 67 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Bleak Horizons | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | A Major | 2 | 11B | 142 BPM | ||
| The Dissolution of the Serial | Sydney Hodkinson, F. Gerard Errante, William Albright | F Major | 2 | 7B | 85 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Major | 2 | 11B | 142 BPM | ||
| Variations and Fugue on a Theme by Handel in B-Flat Major, Op. 24: No. 4 Variation 3 | Richard Settlement | B♭ Major | 3 | 6B | 112 BPM | ||
| Finger Buster | Willie "The Lion" Smith | C Major | 5 | 8B | 126 BPM | ||
| Fantasy Etudes: V. Harmonium | William Albright, Prism Quartet | F Major | 0 | 7B | 136 BPM | ||
| Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | ||
| Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D♭ Major | 0 | 3B | 66 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 2. Romance - Andante tranquillo | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Minor | 0 | 4A | 67 BPM | ||
| Swipsesy Cake March | William Albright | B♭ Major | 2 | 6B | 172 BPM | ||
| Radieuse, Op. 72, RO 218 (Version for Piano 4 Hands) | Louis Moreau Gottschalk, Cary Lewis, Eugene List | E♭ Major | 2 | 5B | 99 BPM | ||
| When You Want 'Em, You Can't Get 'Em, When You've Got 'Em, You Don't Want 'Em | George Gershwin, Murray Roth | C Major | 1 | 8B | 79 BPM | ||
| Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM |