Caedmon's ' "Passive Acceptance" was released on its scheduled release date, August 16, 2018. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Passive Acceptance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 8 in Enough Talking by Caedmon. Based on our statistics, Passive Acceptance's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Passive Acceptance by Caedmon is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caelestis Regina | Cathedral Choir, The Cathedral Singers | F Major | 0 | 7B | 141 BPM | ||
| Branle de l’official/Le bel ange du ciel | Traditional, The Toronto Consort | E Major | 1 | 12B | 113 BPM | ||
| Suite I: Pavane Passamaize I | Claude Gervaise, Christian Mendoze | F Major | 2 | 7B | 130 BPM | ||
| Forlorn Hope, P. 2 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
| I Can’t Give This to You (Elljay’s Undone Mix) | Caedmon | B♭ Minor | 5 | 3A | 145 BPM | ||
| Can she excuse my wrongs? | John Dowland, Ruby Hughes, Jonas Nordberg | F Major | 0 | 7B | 141 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Non Somnos Requiem | Piffaro | D Major | 1 | 10B | 154 BPM | ||
| Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
| Branle de Bourgoigne | The New York Renaissance Band | G Major | 2 | 9B | 105 BPM | ||
| The Ghost Dance | Caedmon | C Major | 6 | 8B | 130 BPM | ||
| Missa 'Mi-Mi' (Missa Quarti Toni) a 4: II. Gloria | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | A Minor | 1 | 8A | 73 BPM | ||
| Chansons (arr. for voice and chamber ensemble): J'ay mis mon cuer | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | G Major | 2 | 9B | 151 BPM | ||
| La Figlia di Guglielmino | Antonio Cornazzano, Into the Winds | E♭ Major | 0 | 5B | 84 BPM | ||
| Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 92 BPM | ||
| Hurt Me so Good | Caedmon, Lovers of the Arctic Circle | B♭ Minor | 5 | 3A | 140 BPM | ||
| Canon a 3 voc. in unisono, Cantio Sacra | Samuel Scheidt, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 80 BPM | ||
| Confesse | John Playford, Ensemble Buon tempo | E Major | 2 | 12B | 155 BPM | ||
| Adam de la Halle: Je muir d'amourete | Adam de la Halle, Anne Azéma, John Fleagle, Shira Kammen | B Minor | 0 | 10A | 82 BPM | ||
| Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
| D'un feu secret je me sens consumer | Michel Lambert, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Canto I, Fortuna innamorata: Recercata XII | Francesco da Milano, Xavier Diaz-Latorre | D Minor | 0 | 7A | 85 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM |