Aldo Shllaku's ' "Drinks For Two" was released on its scheduled release date, October 9, 2020. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Drinks For Two's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Doorman (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Drinks For Two is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Drinks For Two by Aldo Shllaku having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transatlantic Theme | Mike Ladd, David Sztanke | F Minor | 5 | 4A | 150 BPM | ||
| One Million Two | Aldo Shllaku | B♭ Major | 0 | 6B | 56 BPM | ||
| A Different Tug | Aldo Shllaku | C Major | 5 | 8B | 188 BPM | ||
| Sleepless Power | Brian Grey | G Minor | 4 | 6A | 160 BPM | ||
| Carefully Applied Pressure | Jeff Beal | G Major | 1 | 9B | 96 BPM | ||
| The Girl Sold Us Out | Elia Cmiral | B Minor | 1 | 10A | 78 BPM | ||
| Can People Change? | Joseph Trapanese, London Contemporary Orchestra, Tonality | C Major | 1 | 8B | 116 BPM | ||
| Reciprocity | Trevor Morris | D Major | 5 | 10B | 134 BPM | ||
| The Chelsea Detective | Ian Arber | F Major | 4 | 7B | 145 BPM | ||
| Maradona Childhood | Antonio Pinto | A♭ Minor | 4 | 1A | 140 BPM | ||
| This Is My Boy | Abel Korzeniowski | A Minor | 1 | 8A | 126 BPM | ||
| The Wolf and the Lion | Armand Amar, Anne Sophie Versnaeyen | D Major | 3 | 10B | 117 BPM | ||
| Closer Look at a Closer Walk | Jerry Fielding | F Major | 3 | 7B | 96 BPM | ||
| I'll Never Be the Same | Roque Baños | F Minor | 4 | 4A | 116 BPM | ||
| Diamants | Mathieu Lamboley | D♭ Major | 5 | 3B | 118 BPM | ||
| Ruse de Guerre | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | D Major | 5 | 10B | 120 BPM | ||
| Moyocoyotzin | Giorgio Moroder, Raney Shockne | C Major | 5 | 8B | 127 BPM | ||
| The World Premiere | Aldo Shllaku | B Major | 2 | 1B | 64 BPM | ||
| Song of Transference and End Credits | Junkie XL | G Minor | 2 | 6A | 84 BPM | ||
| I Believe She's Ready | Hannes De Maeyer | E Major | 1 | 12B | 159 BPM | ||
| Closing Credits | Burkhard Dallwitz | E♭ Major | 5 | 5B | 90 BPM | ||
| To Him We Shall Return | David Buckley | C Minor | 0 | 5A | 100 BPM | ||
| Scène finale et Générique de fin - Version film | Philippe Rombi | G Minor | 2 | 6A | 88 BPM | ||
| A Vida Barco | Mark Isham | E Minor | 1 | 9A | 108 BPM | ||
| Leaving Kandahar | David Buckley | D Minor | 2 | 7A | 88 BPM |