"Ear Conception: II." by William Anderson, Joan Forsyth, John Whitfield, Jacqueline Leclair, Oren Fader, Tara Helen O'Connor, Jacqui Carrasco had its release date on January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 13 in Broken Consort by Cygnus Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Ear Conception: II. is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ear Conception: II. by William Anderson, Joan Forsyth, John Whitfield, Jacqueline Leclair, Oren Fader, Tara Helen O'Connor, Jacqui Carrasco is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Contreras: Pastillaneando | José Contreras, Eliot Fisk | B♭ Major | 3 | 6B | 96 BPM | ||
| A Tide Of Living Water | Clarice Assad, Laura Verdugo del Rey | C Major | 1 | 8B | 165 BPM | ||
| Keyboard Sonata No. 23 in D Minor: I. Adagio (Arr. R. Oliveira for Guitar) | Carlos Seixas, Bokyung Byun | D Minor | 0 | 7A | 80 BPM | ||
| Serie Americana: Tonada | Hector Ayala, Victor Villadangos | A Major | 1 | 11B | 123 BPM | ||
| Suite castellana: III. Danza | Federico Moreno Torroba, Vicente Coves | E Major | 0 | 12B | 103 BPM | ||
| Canción del Emperador | Luis de Narváez, Guillem Perez-Quer | F♯ Minor | 0 | 11A | 63 BPM | ||
| Modus for Chamber Ensemble: Quarter Note = 56 | George Walker, Tara O'Connor, Robert Ingliss, William Anderson, Oren Fader, Calvin Wiersma, Susannah Chapman | F♯ Minor | 3 | 11A | 119 BPM | ||
| Minidanza del siglo XX - Nº 3 | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
| Tras el reflejo | Carolina Barenbaum | B Minor | 2 | 10A | 81 BPM | ||
| De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: II. Allemande grave "Tombeau du vieux Gallot" | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 131 BPM | ||
| 13 Catalan Folksongs: Lo fill del rey | Miguel Llobet Solés, Lorenzo Micheli | D Major | 0 | 10B | 97 BPM | ||
| Homenaje a Tárrega, Op. 69: II. Soleares | Joaquín Turina, Craig Ogden | A Major | 2 | 11B | 138 BPM | ||
| Rings of Love | Lukas Proyer | D Major | 2 | 10B | 78 BPM | ||
| Silent Moon | Olga Gorelli, William Anderson, Marc Wolf | A Minor | 2 | 8A | 138 BPM | ||
| Ennui - Live | Gene Pritsker, William Anderson, CompCord String Quartet | C Minor | 4 | 5A | 118 BPM | ||
| Sonidos de aquel dia (Sounds from That Day) | Quique Sinesi, Victor Villadangos | D Major | 0 | 10B | 99 BPM | ||
| Metaphor for Guitar | Robert Pollock, William Anderson | A Minor | 2 | 8A | 138 BPM | ||
| Concierto de Aranjuez: II. Adagio - Balearic Sunset Remix | Acoustic System | E Minor | 5 | 9A | 135 BPM | ||
| Ponce: Scherzino Mexicano | Manuel Ponce, Oscar Caceres | E♭ Major | 1 | 5B | 75 BPM | ||
| Snaps | William Anderson | E♭ Major | 8 | 5B | 78 BPM | ||
| You're Leaving | Bob Salmieri, Andrea Pullone, Maurizio Perrone, Giampaolo Scatozza | E Minor | 3 | 9A | 144 BPM | ||
| Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM | ||
| Quatre Bagatelles en forme de Suite Cosmique: I. Le depart | Marco Smaili, Gerard Cousins | C Minor | 2 | 5A | 99 BPM | ||
| Rondo for 3 Guitars | Paul Hindemith, William Anderson, Cygnus Ensemble | A Major | 1 | 11B | 104 BPM | ||
| Nada | Pom Guitarist | C Major | 4 | 8B | 148 BPM |