"パリを離れて(歌劇「椿姫」より)" by 藤原義江, 瀧田菊江 had its release date on October 14, 2009. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ノイズレスSPアーカイヴズ 乾杯の歌/藤原義江〈洋楽編〉, so we believe that "パリを離れて(歌劇「椿姫」より)" is a single. パリを離れて(歌劇「椿姫」より) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of パリを離れて(歌劇「椿姫」より) by 藤原義江, 瀧田菊江 is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 二人は若い | ディック・ミネ, 星 玲子 | B Minor | 7 | 10A | 90 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Vals del caballero de Gracia | Federico Chueca, Ataúlfo Argenta, Ana Maria Iriarte, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado | C Major | 4 | 8B | 102 BPM | ||
| Santa lucia/サンタ・ルチア | 今井俊輔 | D Major | 1 | 10B | 81 BPM | ||
| Reginella Campagnola | Aldo Masseglia | D Major | 2 | 10B | 125 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| ニーナ | 藤原義江 | C Minor | 2 | 5A | 71 BPM | ||
| Boga Boga: Canción Vasca a 4 Voces Viriles - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi | G Major | 2 | 9B | 80 BPM | ||
| 海行かば | 伊藤久男 | C Major | 3 | 8B | 82 BPM | ||
| A-A-Waga-Senyu (あゝ我が戦友) | Koichi Sugii | F Minor | 3 | 4A | 121 BPM | ||
| 母は恋しや旅の空 | 藤原義江 | D♭ Minor | 2 | 12A | 71 BPM | ||
| ふるさと | 藤原義江 | E♭ Major | 2 | 5B | 83 BPM | ||
| Ultime foglie | Gianni Di Palma | F♯ Major | 2 | 2B | 140 BPM | ||
| 枯葉 | Noriko Awaya | D Minor | 2 | 7A | 68 BPM | ||
| Hard Times Come Again No More | Stephen Foster, Thomas Hampson | D Major | 1 | 10B | 127 BPM | ||
| 荒城の月(フォックストロット) | 藤原義江 | C Minor | 2 | 5A | 71 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| La Copla Nueva | Manolo Caracol, Luisa Ortega, Enrique Ortega, Arturo Pavon, Manolo Medina, Vicente Rojas, Melchor De Marchena, Las Caracolas | F♯ Major | 3 | 2B | 118 BPM | ||
| リリー・マルレーン | Tokiko Kato | E Major | 1 | 12B | 92 BPM | ||
| Ciao | Cristina Jorio, Heinz Gietz, Pinchi | D Major | 1 | 10B | 119 BPM | ||
| Tornerai - Remastered | Carlo Buti | C Major | 2 | 8B | 131 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| 哀愁波止場 | Hibari Misora | B♭ Minor | 2 | 3A | 82 BPM | ||
| Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly: O quanti occhi fisi | Giacomo Puccini, Enrico Caruso | C Major | 1 | 8B | 90 BPM | ||
| Ochi chornyje (Dark Eyes) | Anonymous, Dmitri Hvorostovsky, Ossipov Russian Folk Orchestra, Nicolay Kalinin | D♭ Major | 4 | 3B | 80 BPM |