"First Contact Protocol" by John Paesano had its release date on March 24, 2017. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Paesano, EA Games Soundtrack's "Mass Effect Andromeda (Original Game Soundtrack)" album is number 16 out of 18. In terms of popularity, First Contact Protocol is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of First Contact Protocol by John Paesano to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Finding the Way | dreissk | D♭ Major | 4 | 3B | 120 BPM | ||
| The Bentusi | Paul Ruskay | F♯ Major | 3 | 2B | 128 BPM | ||
| Desert Nomads | Mark Morgan | C Minor | 2 | 5A | 115 BPM | ||
| Kay Escapes | Paul Leonard-Morgan | G Major | 4 | 9B | 95 BPM | ||
| Trade Center | Ola Strandh | G Major | 5 | 9B | 125 BPM | ||
| Sentient Tombs | Keith Power | G Major | 8 | 9B | 114 BPM | ||
| Descent | Austin Wintory | A Major | 2 | 11B | 80 BPM | ||
| The Beginning of Fear | 内山 修作 | F Major | 4 | 7B | 168 BPM | ||
| Welcome to the Trash Coast | Raison Varner | D♭ Major | 6 | 3B | 130 BPM | ||
| Bonanza Excavation | RealX, EVE Online Music | C Minor | 1 | 5A | 68 BPM | ||
| Infected | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | F♯ Minor | 4 | 11A | 110 BPM | ||
| Home | Michael McCann | G Major | 1 | 9B | 82 BPM | ||
| Tarvos Revelation | Ed Harrison | D Major | 5 | 10B | 90 BPM | ||
| Kamski - Connor | Nima Fakhrara | A♭ Minor | 1 | 1A | 55 BPM | ||
| Ambients | Daniel Licht | E Minor | 1 | 9A | 89 BPM | ||
| Seal Your Lips - Part 1 - Motherland | Joris de Man | B Minor | 1 | 10A | 148 BPM | ||
| Tower Lockdown | Paul Leonard-Morgan | B♭ Major | 5 | 6B | 120 BPM | ||
| Inside the Numbers | John Paesano | B♭ Minor | 3 | 3A | 120 BPM | ||
| Take Down | Cliff Martinez | D♭ Major | 8 | 3B | 200 BPM | ||
| Traversing the Deep | Raison Varner | D♭ Major | 1 | 3B | 72 BPM | ||
| War of the Chosen | Tim Wynn | D Major | 4 | 10B | 140 BPM | ||
| CyberLife - Markus | John Paesano | B♭ Minor | 5 | 3A | 77 BPM | ||
| Horror | Ben Prunty | E Minor | 1 | 9A | 98 BPM |