"A Gaelic Blessing" by John Rutter, St. Paul's Cathedral Choir, Cathedral Choristers of Britain, Simon Johnson, Andrew Carwood had its release date on March 17, 2017. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. A Gaelic Blessing's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in St. Paul's Cathedral Choir, Cathedral Choristers of Britain, Aled Jones, Andrew Carwood's "Jubilate - 500 Years Of Cathedral Music" album is number 16 out of 18. On top of that, United Kingdom appears to be the country where this track was created. A Gaelic Blessing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Gaelic Blessing by John Rutter, St. Paul's Cathedral Choir, Cathedral Choristers of Britain, Simon Johnson, Andrew Carwood to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abide with Me | William Henry Monk, Norwich Cathedral Choir, Simon Johnson, Neil Taylor | F Major | 2 | 7B | 79 BPM | ||
| Come, Thou Long Expected Jesus | Rowland H. Pritchard, The Choral Arts Society Of Washington, J. Reilly Lewis, Scott Tucker | F Major | 2 | 7B | 77 BPM | ||
| Requiem in D Minor, Op. 48: V. Agnus Dei | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
| Samson, HWV 57: Let the Bright Seraphim in Burning Row - Let Their Celestial Concerts All Unite | George Frideric Handel, John Rutter, Simon Cox, Aurora Orchestra, The Cambridge Singers, Elin Manahan Thomas | D Major | 2 | 10B | 108 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place | Johannes Brahms, John Rutter, Aurora Orchestra, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Requiem: III. Pie Jesu | John Rutter, Aurora Orchestra, The Cambridge Singers, Alice Halstead | F Major | 0 | 7B | 112 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM | ||
| Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | ||
| 2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | ||
| Christus factus est pro nobis | Felice Anerio, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 95 BPM | ||
| Lo, How a Rose E’er Blooming, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 1 | 9B | 91 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Song of the Oak | Molly Ijames, Beckenhorst Singers, Dan Forrest, Craig Courtney | C Major | 1 | 8B | 86 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Beautiful Savior | The Concordia Choir, René Clausen | D Major | 0 | 10B | 86 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Lo How a Rose | Winter Harp Ensemble, Lori Pappajohn | G Major | 1 | 9B | 78 BPM |