"Der Rosenkavalier, Op. 59 / Act 1: "Mein lieber Hippolyte"" by Richard Strauss, Régine Crespin, Murray Dickie, Manfred Jungwirth, Anne Howells, Wiener Philharmoniker, Sir Georg Solti had its release date on January 1, 1969. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Der Rosenkavalier, Op. 59 / Act 1: "Mein lieber Hippolyte" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59 / Act 1: "Mein lieber Hippolyte" by Richard Strauss, Régine Crespin, Murray Dickie, Manfred Jungwirth, Anne Howells, Wiener Philharmoniker, Sir Georg Solti having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: XIV. Blicket auf zum Retterblick | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Johan Botha | F Minor | 2 | 4A | 72 BPM | ||
| Delibes: Sylvia, Act 1: No. 3, Fanfare. Les chasseresses | Léo Delibes, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris | A Minor | 0 | 8A | 103 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | ||
| Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| La traviata / Act 3: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 135 BPM | ||
| Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B.163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | G Major | 0 | 9B | 74 BPM | ||
| Ma mère l'oye, Ballet, M. 62: XI. Apothéose. Le jardin féerique | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
| Miroirs, M. 43: No. 3, Une barque sur l'ocean (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | A Major | 0 | 11B | 134 BPM | ||
| 6 Lieder, Op. 37: No. 3, Meinem Kinde (Version with Orchestra) | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 181 BPM | ||
| Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM |