Marco Beltrami, Buck Sanders's ' "Thirty Minutes" was released on its scheduled release date, November 15, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 20 in Ford v Ferrari (Original Score) by Marco Beltrami, Buck Sanders. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Thirty Minutes is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Thirty Minutes by Marco Beltrami, Buck Sanders is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Philly State of Mind | Philip Klein | A♭ Major | 0 | 4B | 114 BPM | ||
| Oss 117 thème | Ludovic Bource | A Major | 5 | 11B | 162 BPM | ||
| Prepare For Arrival | Marco Beltrami, Miles Hankins | D Minor | 2 | 7A | 75 BPM | ||
| Elevator Exchange | Dave Porter | A♭ Major | 1 | 4B | 86 BPM | ||
| Snap Happy | Ritchie Everett | C Minor | 3 | 5A | 145 BPM | ||
| Oliver's Monologue | Siddhartha Khosla | D Minor | 4 | 7A | 139 BPM | ||
| To The Office The Elevator | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Face Off | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Aragon - From The "Coffy" Soundtrack | Roy Ayers | A♭ Major | 7 | 4B | 122 BPM | ||
| Bridges, Rules, Banking | John Powell | C Major | 5 | 8B | 108 BPM | ||
| Jimmy's Choice | Dave Porter | F♯ Major | 4 | 2B | 95 BPM | ||
| End Roller Medley | Howard Goodall | G Minor | 4 | 6A | 128 BPM | ||
| On Bridge Number 9 | John Powell | A Minor | 5 | 8A | 105 BPM | ||
| Cast Your Fate To The Wind | Allen Toussaint | A Major | 4 | 11B | 100 BPM | ||
| DuDa | Ian Post | B♭ Minor | 7 | 3A | 157 BPM | ||
| Blow-Up (Main Title) | Herbie Hancock | C Major | 6 | 8B | 122 BPM | ||
| Heading To The States | Christophe Beck | D Major | 5 | 10B | 110 BPM | ||
| Simon's Secret | Joel P West | C Major | 6 | 8B | 157 BPM | ||
| Crawl, End Crawl (From the Motion Picture "Quantum of Solace") | Four Tet | D♭ Major | 5 | 3B | 132 BPM | ||
| The L Word | Marco Beltrami | F Major | 4 | 7B | 160 BPM | ||
| Hundred Percent Pure | Marc Streitenfeld | E Minor | 6 | 9A | 92 BPM | ||
| El Train | Branford Marsalis | A♭ Major | 2 | 4B | 138 BPM | ||
| Finale & End Credits | Joe Kraemer | E Minor | 1 | 9A | 86 BPM | ||
| Espionage on the French Riviera | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Polk Salad Annie | James Burton | A Major | 7 | 11B | 149 BPM |