Hi-Finesse's 'Equivalence' had a release date set for September 15, 2016. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Equivalence's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hi-Finesse's "Hits, Vol. 1" album is number 12 out of 16. Based on our statistics, Equivalence's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Equivalence by Hi-Finesse to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| Universe | Complexities of Sound | A♭ Major | 7 | 4B | 80 BPM | ||
| Empty Spaces | Twelve Titans Music | B♭ Minor | 5 | 3A | 100 BPM | ||
| Stand Against (feat. Mervin Mathew Pillai & Daniel Law Heath) | Corner Stone Cues, Mervin Mathew Pillai, Daniel Law Heath | E Minor | 9 | 9A | 164 BPM | ||
| Raising the Damned | Damned Anthem | D Major | 9 | 10B | 95 BPM | ||
| Morrow's Light | 2WEI, Ali Christenhusz | G Minor | 4 | 6A | 86 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| Flashpoint | Hi-Finesse | D♭ Major | 8 | 3B | 200 BPM | ||
| Gravity | Mitchell Broom | A Minor | 5 | 8A | 114 BPM | ||
| Super Soldier | Trailer Bros, Sonic Symphony | D♭ Minor | 7 | 12A | 140 BPM | ||
| Journey to the Abyss | Daniel Law Heath, Magnum Opus | D Minor | 6 | 7A | 120 BPM | ||
| Desolation | Tom Player | D Minor | 5 | 7A | 177 BPM | ||
| Counterstrike Squad | Epic Score | A♭ Major | 6 | 4B | 100 BPM | ||
| Requiem For A Tower Two Towers Trailer Mix Remastered | Corner Stone Cues | E♭ Major | 6 | 5B | 155 BPM | ||
| Flight | David A. Molina | F♯ Minor | 5 | 11A | 92 BPM | ||
| Reborn | 8Dawn | B♭ Major | 3 | 6B | 110 BPM | ||
| Event Horizon | Mitchell Broom | D Minor | 4 | 7A | 78 BPM | ||
| Century | Really Slow Motion | E Minor | 8 | 9A | 110 BPM | ||
| A Legacy Uncovered | Icon | D♭ Major | 4 | 3B | 86 BPM | ||
| Ellipsis | Fringe Element | A♭ Major | 2 | 4B | 61 BPM | ||
| Hellbomb | Hi-Finesse | A Major | 8 | 11B | 140 BPM | ||
| Lords of Arkhmar | Jo Blankenburg | D Minor | 4 | 7A | 120 BPM | ||
| We Are Here for Each Other | Patryk Scelina | A Minor | 4 | 8A | 115 BPM | ||
| Renzokuken | Ursine Vulpine | D Major | 4 | 10B | 87 BPM | ||
| Chain Reaction | Tunetank | A♭ Major | 6 | 4B | 135 BPM |