Valérie Masterson's 'A School Room Scene - 2023 DigiMIX Remaster' had a release date set for April 5, 2024. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "The King And I: 2023 Digimix Remaster Complete (2023 DigiMIX Remaster)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. A School Room Scene - 2023 DigiMIX Remaster is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A School Room Scene - 2023 DigiMIX Remaster by Valérie Masterson having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
| Candide / Act I: 9. Auto-da-fé | Leonard Bernstein, Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra | C Major | 4 | 8B | 125 BPM | ||
| The Mikado / Act 1: 7. Behold the Lord High Executioner | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 64 BPM | ||
| Not Since Nineveh Dance | Bonaventura Bottone | B♭ Minor | 6 | 3A | 110 BPM | ||
| Je Cede a Vos Desirs...D'une Image Helas! (from Iphigenie en Tauride) | Valerie Masterson | F Major | 1 | 7B | 83 BPM | ||
| 22. Now for the pirates lair! | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams | D♭ Major | 1 | 3B | 89 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| The Mikado / Act 1: 20. Ye torrents roar! Ye tempests howl! | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 104 BPM | ||
| 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | ||
| Ecoute-Moi! Rappelle-Toi! (from Manon) | Valerie Masterson | C Minor | 1 | 5A | 85 BPM | ||
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| La sonnambula, Act I: Viva Amina! | Vincenzo Bellini, Gemma Bertagnolli, Peter Kalman, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | G Major | 2 | 9B | 117 BPM | ||
| Candide / Act I: 12. Glitter And Be Gay | Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra | A♭ Major | 2 | 4B | 149 BPM | ||
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Gounod: Faust, Act 5: Trio-finale. "Alerte, alerte, ou vous êtes perdus" - Apothéose. "Sauvée ! Christ est ressuscité" (Méphistophélès, Marguerite, Faust, Chœur) | Charles Gounod, Michel Plasson, Cheryl Studer, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
| Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | ||
| The Sorcerer / Act 1: My name is John Wellington Wells | Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 2 | 5B | 67 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
| The Pirates of Penzance: Poor wand'ring one! | Arthur Sullivan, Valerie Masterson, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Twilight of the Gods, WWV 86D, Act III Scene 1: Why should I let them laugh and jeer? (Siegfried, Flosshilde, Woglinde, Wellgunde) | Richard Wagner, Reginald Goodall, English National Opera Orchestra, Alberto Remedios, Helen Attfield, Valerie Masterson, Shelagh Squires | C Major | 0 | 8B | 107 BPM |