Tyler Bates's 'C*cks*cker' had a release date set for July 21, 2017. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 16 in Atomic Blonde (Original Motion Picture Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, C*cks*cker is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of C*cks*cker by Tyler Bates is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Time Is Unity | Éric Serra | A♭ Minor | 1 | 1A | 134 BPM | ||
| Sentionauts II | Sinoia Caves | A♭ Major | 3 | 4B | 122 BPM | ||
| Pool Fight | Hildur Guðnadóttir | A Major | 4 | 11B | 100 BPM | ||
| Hospital Escape / Access-A-Ride | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| Callister Inc. | Daniel Pemberton | F Major | 0 | 7B | 71 BPM | ||
| Serial 5 | Nekromongers | A Major | 9 | 11B | 98 BPM | ||
| Running Out Of Time | Adam Peters | C Major | 2 | 8B | 191 BPM | ||
| Following Hobden | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Demonstration | Tyler Bates | B Minor | 4 | 10A | 85 BPM | ||
| 1999 | Danny Bensi and Saunder Jurriaans | C Major | 6 | 8B | 144 BPM | ||
| Yes (Symmetry Remix) | Chromatics | F Minor | 4 | 4A | 146 BPM | ||
| Automatic | John Murphy | D Minor | 5 | 7A | 138 BPM | ||
| Marie | Cristobal Tapia De Veer | F♯ Major | 5 | 2B | 128 BPM | ||
| Axe & Chuck Faceoff | Brendan Angelides, Eskmo | G Major | 3 | 9B | 173 BPM | ||
| Get Him Talking | Clinton Shorter | B♭ Major | 3 | 6B | 129 BPM | ||
| Telescreen | Makeup And Vanity Set | F Major | 9 | 7B | 132 BPM | ||
| They Didn't Touch Me | Cliff Martinez | B♭ Minor | 2 | 3A | 104 BPM | ||
| We Can't Let Them Win | Jed Palmer | E Major | 2 | 12B | 79 BPM | ||
| Mr. Wang's Bloody Suite, Pt. 1-4 | Éric Serra | A♭ Major | 1 | 4B | 71 BPM | ||
| Other | S U R V I V E | D Minor | 5 | 7A | 86 BPM | ||
| Violent Delights | Ramin Djawadi | A Major | 6 | 11B | 102 BPM | ||
| The Crow Descends | Graeme Revell | G Major | 4 | 9B | 162 BPM | ||
| No One's Controlling Me | Ramin Djawadi | C Major | 6 | 8B | 135 BPM |