Mary Lattimore, MIZU, Jamal Shakeri, Laraaji's 'I. Midnight Moon Pool (Womb Of The Soul)' had a release date set for November 22, 2024. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in I. Midnight Moon Pool (Womb Of The Soul) and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Based on our statistics, I. Midnight Moon Pool (Womb Of The Soul)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I. Midnight Moon Pool (Womb Of The Soul) by Mary Lattimore, MIZU, Jamal Shakeri, Laraaji to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Like Chalk | Keaton Henson, Hinako Omori | F♯ Minor | 1 | 11A | 115 BPM | ||
| 23°C (Intermittent Sunshine) | Whatever The Weather | E♭ Minor | 2 | 2A | 104 BPM | ||
| TEGID’S COURT | Bibio | D Major | 1 | 10B | 124 BPM | ||
| All That the Air Allows | Lynn Avery, Cole Pulice | B♭ Major | 1 | 6B | 80 BPM | ||
| The love it took to leave you | Colin Stetson | A♭ Minor | 7 | 1A | 106 BPM | ||
| Pond, Grief and Glee | LI YILEI | B♭ Minor | 3 | 3A | 89 BPM | ||
| Sars Requiem | Tim Hecker | C Minor | 1 | 5A | 69 BPM | ||
| What The Living Do | Mary Lattimore | A Minor | 3 | 8A | 78 BPM | ||
| Space 5 | Nala Sinephro | A Minor | 2 | 8A | 72 BPM | ||
| III | Mary Lattimore, Mac McCaughan | A Minor | 1 | 8A | 103 BPM | ||
| Ultra valid | Oliver Coates | D♭ Minor | 4 | 12A | 130 BPM | ||
| The Midwives Have Left | Bat For Lashes | F♯ Minor | 3 | 11A | 78 BPM | ||
| Continuum 7 | Nala Sinephro | F Minor | 3 | 4A | 83 BPM | ||
| part viii - nothing is lost | Jon Hopkins | E Major | 2 | 12B | 120 BPM | ||
| Rio radio correspondencia anfibia | Nicolas Jaar | A Minor | 1 | 8A | 148 BPM | ||
| Blown Fruit | Dub Squad | C Major | 5 | 8B | 103 BPM | ||
| - - - | Ana Roxanne | D Major | 3 | 10B | 140 BPM | ||
| Night Window - Part One | Lucy Gooch | C Major | 3 | 8B | 62 BPM | ||
| Spring Became Silent | Jayve Montgomery, Nick Turner, Mary Lattimore | D Minor | 1 | 7A | 96 BPM | ||
| Touchless Tones | Seefeel | F Minor | 2 | 4A | 145 BPM | ||
| Fractured Loop | Joe Wong, Mary Lattimore, Paul Cartwright | F Major | 2 | 7B | 144 BPM | ||
| Space 7 | Nala Sinephro | B♭ Major | 1 | 6B | 111 BPM | ||
| Glances | Jessica Pratt | A Major | 2 | 11B | 105 BPM | ||
| Prelude (An Eternity of Light) | MIZU | A Major | 2 | 11B | 105 BPM | ||
| How We Got Here | Elori Saxl | D♭ Major | 2 | 3B | 80 BPM |