"Heat Wave" by Jeff Beal had its release date on January 1, 2014. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Heat Wave's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeff Beal's "House Of Cards: Season 2 (Music From The Netflix Original Series)" album is number 18 out of 37. On top of that, United States appears to be the country where this track was created. The popularity of Heat Wave is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Heat Wave by Jeff Beal to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Will We Do? | Trent Reznor and Atticus Ross | C Minor | 0 | 5A | 68 BPM | ||
| RSVP | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Pi and Richard Parker | Mychael Danna | A Minor | 0 | 8A | 101 BPM | ||
| Signal | Joseph Trapanese | A Minor | 0 | 8A | 117 BPM | ||
| Back to the World | Mychael Danna | C Minor | 1 | 5A | 88 BPM | ||
| I Thought She Was You | Chris Tilton | A♭ Minor | 0 | 1A | 70 BPM | ||
| Hotel Mira | Adam Peters | C Major | 1 | 8B | 93 BPM | ||
| Ballade in C# Minor: Coronation | Nicholas Britell | D♭ Major | 2 | 3B | 80 BPM | ||
| Courthouse | Howard Shore | B Minor | 2 | 10A | 84 BPM | ||
| Welcome To Nowhere | Jason Hill | G Major | 0 | 9B | 68 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| 2.0_4-control-1s-an-illusion.amr | Mac Quayle | F Minor | 1 | 4A | 173 BPM | ||
| Carrying Glass | Ryuichi Sakamoto, alva noto | E Minor | 0 | 9A | 76 BPM | ||
| In The End | David Scoony | C Major | 0 | 8B | 76 BPM | ||
| Keep Silent | Howard Shore | G Major | 1 | 9B | 122 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Cat & Mouse | Ryuichi Sakamoto, alva noto, Bryce Dessner | D Major | 4 | 10B | 88 BPM | ||
| Back to D9 | Clinton Shorter | D♭ Major | 1 | 3B | 91 BPM | ||
| The Real Transported Man | The Prestige | A Minor | 1 | 8A | 132 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| They Leave Everything Behind - From „Copenhagen Dreams” Soundtrack | Jóhann Jóhannsson | B Minor | 2 | 10A | 133 BPM | ||
| All F*cked Up! | Danny Elfman | A Minor | 1 | 8A | 119 BPM | ||
| Promenade of Stolen Children | Adam Taylor | D Major | 2 | 10B | 140 BPM | ||
| For Paris | Rob Simonsen | D Minor | 2 | 7A | 130 BPM | ||
| Kite | Coby Brown | B Minor | 1 | 10A | 144 BPM |