"Dalton Trap" by Scott Shields had its release date on January 1, 2014. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Strike Back (Original Television Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Dalton Trap's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dalton Trap by Scott Shields having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Future Glory | Jed Kurzel | B♭ Minor | 7 | 3A | 84 BPM | ||
| Goa: Check the Power | Scott Shields, Paul Saunderson | D Major | 4 | 10B | 62 BPM | ||
| Iontrap Mirage | Lumen Sonico | F Minor | 3 | 4A | 95 BPM | ||
| Launch Codes: Key Sequence | Scott Shields, Paul Saunderson | C Major | 5 | 8B | 120 BPM | ||
| Flat Assault | John Powell, David Buckley | D♭ Major | 4 | 3B | 94 BPM | ||
| The Attack | Roque Baños | F Minor | 3 | 4A | 82 BPM | ||
| High-Speed Maneuvers | Henry Jackman | B♭ Minor | 7 | 3A | 103 BPM | ||
| Heartbeat | Federico Jusid | D Major | 4 | 10B | 82 BPM | ||
| This Is Not a Drill | Henry Jackman | D Major | 4 | 10B | 100 BPM | ||
| Hazmat Suit | Bear McCreary | G Major | 1 | 9B | 82 BPM | ||
| ZZZ Accounting / You Don't See That Everyday | Mark Isham | D♭ Major | 3 | 3B | 104 BPM | ||
| Get It | PayPay Frost, Scott Shields | A Minor | 5 | 8A | 125 BPM | ||
| Strip Chase | John Powell, David Buckley | F Minor | 7 | 4A | 79 BPM | ||
| Read To Me | Jeff Beal | A Minor | 2 | 8A | 170 BPM | ||
| Prison Arrival | Paul Haslinger | B Minor | 4 | 10A | 78 BPM | ||
| Tarnished Time | Imagine Music | E Minor | 6 | 9A | 64 BPM | ||
| Disconnection | David Hanhell, Dave Hahnall | F Minor | 3 | 4A | 180 BPM | ||
| Fear the Lion | Cavid Babayev, Constalanta | B♭ Major | 3 | 6B | 100 BPM | ||
| How It Ends | Scott Shields | A♭ Major | 2 | 4B | 83 BPM | ||
| What Happened In Beirut | Scott Shields | F Major | 1 | 7B | 105 BPM | ||
| The Embassy | Michael Nielsen, Kaveh Cohen | D Major | 5 | 10B | 120 BPM | ||
| Operations Below | Evgeny Shchukin | C Major | 8 | 8B | 148 BPM | ||
| The Emerald Abyss | Sarah Schachner | D Major | 3 | 10B | 86 BPM | ||
| Con Las Condiciones Existentes | Valores Especiales | D♭ Major | 8 | 3B | 135 BPM | ||
| All Is Lost/The Princess Returns | Geoff Zanelli | D Major | 4 | 10B | 82 BPM |