"DNA" by Ryuichi Sakamoto had its release date on July 19, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Tony Takitani". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. DNA is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With DNA by Ryuichi Sakamoto having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ieta | Ryuichi Sakamoto | F Major | 0 | 7B | 101 BPM | ||
| Asience | Federica Fornabaio, Ryuichi Sakamoto | C Minor | 0 | 5A | 107 BPM | ||
| Good Morning, Midnight | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 1 | 4B | 94 BPM | ||
| fish in the pool | Shunji Iwai | G Major | 2 | 9B | 73 BPM | ||
| old chair | Chihei Hatakeyama | E Major | 1 | 12B | 82 BPM | ||
| Waterland | Gigi Masin | A♭ Minor | 0 | 1A | 132 BPM | ||
| Haru Spring | Harold Budd | G Minor | 0 | 6A | 76 BPM | ||
| Systems / Layers | Rachel Grimes, Rachel's | B Major | 1 | 1B | 70 BPM | ||
| Nomad | Vemeer | E Major | 0 | 12B | 102 BPM | ||
| Etude No. 2 | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
| Hawk Punished | Ryuichi Sakamoto, alva noto, Bryce Dessner | C Major | 1 | 8B | 63 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| The Three of Us, Floating | Adam O'Farrill | D♭ Major | 0 | 3B | 77 BPM | ||
| Dream | Hiroshi Yoshimura | D♭ Major | 0 | 3B | 77 BPM | ||
| Scene II, Kyoto | 阿部海太郎 | G Major | 0 | 9B | 143 BPM | ||
| After | Alex Heffes, Ryuichi Sakamoto | F♯ Major | 2 | 2B | 74 BPM | ||
| To. | Kim Haewon, Lim Ju Yeon | G Major | 0 | 9B | 88 BPM | ||
| Rainbow Road | Haruomi Hosono | D♭ Major | 2 | 3B | 135 BPM | ||
| Jói & Karen - Ryuichi Sakamoto Rework | Jóhann Jóhannsson, Ryuichi Sakamoto | F Minor | 3 | 4A | 96 BPM | ||
| Spiegel im Spiegel (Version for Cello & Piano) - Version for Cello and Piano | Arvo Pärt, Alexander Malter, Dietmar Schwalke | F Major | 0 | 7B | 86 BPM | ||
| "Ég heyrði allt án þess að hlusta" - Remastered | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Simulacra I | Ben Frost, Daníel Bjarnason | D♭ Major | 0 | 3B | 77 BPM | ||
| Universal Dub | Hiroshi Fujiwara | G Major | 1 | 9B | 66 BPM | ||
| open window - for piano | Yuichiro Fujimoto | E Major | 1 | 12B | 76 BPM | ||
| day to die | 岩井俊二 | E Minor | 1 | 9A | 104 BPM |