Semele, HWV 58 / Act 2: Oh Sleep, Why Dost Thou Leave Me? by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson Song Details

"Semele, HWV 58 / Act 2: Oh Sleep, Why Dost Thou Leave Me?" by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson had its release date on January 1, 1993. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, English Chamber Orchestra, John Nelson's "Handel: Semele" album is number 6 out of 77. Semele, HWV 58 / Act 2: Oh Sleep, Why Dost Thou Leave Me? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Semele, HWV 58 / Act 2: Oh Sleep, Why Dost Thou Leave Me? by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -31.996 dB
Acousticness: 99%
Danceability: 30%
Energy: 1%
Instrumentalness: 45%
Liveness: 9%
Loudness: 47%
Speechiness: 5%
Valence: 7%

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