Bijli Rani's ' "Goriya Chadhal Ba" was released on its scheduled release date, April 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Bob Cut Mein by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Goriya Chadhal Ba is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Goriya Chadhal Ba by Bijli Rani is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saach Kahi Hum Dilwa Ke Batiya | Bijli Rani | B♭ Major | 7 | 6B | 80 BPM | ||
| Shyam Sunder Maihar | Sanjay Mittal | B♭ Major | 7 | 6B | 80 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Mediye Melyo Sonano | Master Rana | C Major | 4 | 8B | 85 BPM | ||
| Khadi Hu Dar Mai Bhole Chadau Kya Tumhe Bhole | Chanchal Prajapati | D♭ Major | 9 | 3B | 120 BPM | ||
| Devra Ke Milal Mauka | Bikki Bahar, Bijli Rani | D♭ Major | 8 | 3B | 86 BPM | ||
| Preetdi Rue Rah Rah | Sadhana Sargam, Arvind Barot | F Major | 3 | 7B | 75 BPM | ||
| Bansi Bajaiya | Ravindra Jain, Kavita Krishnamurthy | F♯ Major | 6 | 2B | 90 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Aadhi Raat Ko Aaye Balam | Diwakar Dwivedi | D♭ Major | 6 | 3B | 154 BPM | ||
| Shubharambh (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | F Minor | 6 | 4A | 96 BPM | ||
| Siya Ke Chuman Janak Ji Ke Angna | Poonam Mishra | F♯ Major | 9 | 2B | 101 BPM | ||
| Rang Laagyo | Loyadham Mandir, Jaysinh Gadhavi, Zalak Pandya | F♯ Minor | 7 | 11A | 115 BPM | ||
| Ton Bhi Chade Wen Jani | Fozia Soomro | G Minor | 8 | 6A | 204 BPM | ||
| Maro Char Paida No Rath | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Jhamlo Jagayo Thara Nam Ko | Sukhdev Bharti | F Major | 9 | 7B | 90 BPM | ||
| Awat Hohi Baba | Gorelal Barman, Ratan Sabiha | E Major | 6 | 12B | 152 BPM | ||
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Baila Aa Baghawa Mein | Bharat Sharma Vyas | C Major | 9 | 8B | 140 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Ram Naam Laddoo | Kashish Sinha | F♯ Major | 10 | 2B | 87 BPM | ||
| Vindhyachal Mayariya | Ravindra Singh Jyoti | A♭ Minor | 9 | 1A | 126 BPM |