Razorlight's ' "In The City - Sawmills 04" was released on its scheduled release date, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Up All Night". In this album, this song's track order is #11. In The City - Sawmills 04 is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With In The City - Sawmills 04 by Razorlight having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Became of the Likely Lads | The Libertines | B Minor | 7 | 10A | 169 BPM | ||
| This Girl Isn't My Girlfriend | Little Man Tate | C Major | 9 | 8B | 170 BPM | ||
| Impatience | We Are Scientists | A Major | 9 | 11B | 129 BPM | ||
| Burn Baby Burn | Ash | E Major | 10 | 12B | 156 BPM | ||
| Albion | Babyshambles | C Major | 5 | 8B | 88 BPM | ||
| Colour It In - Bonus Track | The Maccabees | G Major | 9 | 9B | 187 BPM | ||
| Man Ray | The Futureheads | B♭ Major | 8 | 6B | 175 BPM | ||
| Never Meant to Hurt You | Good Shoes | G Minor | 9 | 6A | 168 BPM | ||
| From The Floorboards Up | Paul Weller | A Major | 10 | 11B | 162 BPM | ||
| Delivery | Babyshambles | F Major | 9 | 7B | 141 BPM | ||
| We Are Us | Twisted Wheel | D Major | 8 | 10B | 140 BPM | ||
| Take Her Back | The Pigeon Detectives | C Major | 10 | 8B | 109 BPM | ||
| Side of the Road | Babyshambles | D Major | 9 | 10B | 124 BPM | ||
| Cash Cow | We Are Scientists | C Major | 10 | 8B | 160 BPM | ||
| Pressure Point | The Zutons | B Major | 9 | 1B | 175 BPM | ||
| Torn on the Platform | Jack Peñate | A Major | 9 | 11B | 116 BPM | ||
| Isle Of Her | Klaxons | F♯ Major | 9 | 2B | 110 BPM | ||
| Midsummer Girl | Razorlight | E Major | 10 | 12B | 163 BPM | ||
| Oh Stacey (Look What You've Done!) | The Zutons | C Major | 8 | 8B | 123 BPM | ||
| Raise The Alarm | The Sunshine Underground | F♯ Minor | 10 | 11A | 142 BPM | ||
| This Must Be Love | Little Man Tate | G Major | 8 | 9B | 125 BPM | ||
| Lonely at the Top | The Ordinary Boys | B♭ Minor | 9 | 3A | 140 BPM | ||
| Charmer | Kings of Leon | G Major | 8 | 9B | 147 BPM | ||
| You Know I Love You | The Pigeon Detectives | F Major | 10 | 7B | 127 BPM | ||
| Living for the Weekend | Hard-Fi | A♭ Major | 9 | 4B | 130 BPM |