"Metropolis" by Paul Reeves, Thomas Garrad-Cole had its release date on December 1, 2004. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Metropolis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Reeves's "Metropolis (Original Soundtrack)" album is number 3 out of 13. Based on our statistics, Metropolis's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis by Paul Reeves, Thomas Garrad-Cole to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sophisticated Ladies | Paul Reeves | F Major | 5 | 7B | 108 BPM | ||
| Tears of Joy | Laurent Dury, Brice Davoli | G Major | 4 | 9B | 67 BPM | ||
| On the Run | Louis Adrien | A Minor | 2 | 8A | 185 BPM | ||
| Countryside Air | Tom Howe | C Major | 4 | 8B | 140 BPM | ||
| Soaring Horizon | Philip Guyler | E Major | 3 | 12B | 103 BPM | ||
| Troubled Heritage | Paul Mottram | A Major | 5 | 11B | 83 BPM | ||
| Determination | Patrick Thomas Hawes | D Major | 4 | 10B | 80 BPM | ||
| Fan Dance Medley | Greg J Walker | F Minor | 5 | 4A | 118 BPM | ||
| As They Make Circles | The Seventh Movement, Ardie Son | A Major | 1 | 11B | 72 BPM | ||
| Le miroir de nos vies | Christophe Julien | A Minor | 1 | 8A | 112 BPM | ||
| Never Seen Anything Like It - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | F Major | 4 | 7B | 164 BPM | ||
| Charleston Charlie | Paul Reeves | C Major | 3 | 8B | 105 BPM | ||
| Royal Palace | Nonemis | B♭ Major | 3 | 6B | 132 BPM | ||
| Noble | Stefan Rodescu, Roger Abaji, Abaji | F♯ Minor | 3 | 11A | 98 BPM | ||
| Il passo del corvo | Andrea Montepaone | G Major | 3 | 9B | 74 BPM | ||
| We Were Both Kids | Ofelia Moore | F Major | 1 | 7B | 130 BPM | ||
| Flying Colours | Christopher Slaski | E Major | 3 | 12B | 103 BPM | ||
| La Danza | Olivier Olsen | F♯ Minor | 3 | 11A | 100 BPM | ||
| Changing Outlook | Trevor Kowalski | D Major | 3 | 10B | 147 BPM | ||
| Miss Fisher's Theme | Greg J Walker | A♭ Major | 7 | 4B | 100 BPM | ||
| Trailer and End Credits | Mario Malagnini | G Minor | 3 | 6A | 162 BPM | ||
| Sky Blue | Yoav Ilan | A♭ Major | 1 | 4B | 89 BPM | ||
| Reception Waltzer | Mario Malagnini | E Major | 6 | 12B | 130 BPM | ||
| The Cider Song | Harry James Angus | G Minor | 7 | 6A | 104 BPM | ||
| Satin Slipper | Brightarm Orchestra | E♭ Minor | 1 | 2A | 181 BPM |