Handel: Keyboard Suite in D Minor, HWV 428: VI. Presto by George Frideric Handel, Sviatoslav Richter Song Details

On 1982, the song "Handel: Keyboard Suite in D Minor, HWV 428: VI. Presto" was released by George Frideric Handel, Sviatoslav Richter. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrei Gavrilov/Sviatoslav Richter's "Handel: Keyboard Suites Vol. I" album is number 14 out of 38. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Keyboard Suite in D Minor, HWV 428: VI. Presto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Handel: Keyboard Suite in D Minor, HWV 428: VI. Presto by George Frideric Handel, Sviatoslav Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.

Music Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -23.495 dB
Acousticness: 99%
Danceability: 49%
Energy: 16%
Instrumentalness: 87%
Liveness: 12%
Loudness: 61%
Speechiness: 5%
Valence: 92%

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