"All Clear" by Tom Ashbrook had its release date on July 5, 2021. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Solitudes". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. All Clear is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All Clear by Tom Ashbrook having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enfolding | Jim Perkins | C Major | 0 | 8B | 84 BPM | ||
| Worlds Collide | Vetle Nærø | A♭ Minor | 1 | 1A | 147 BPM | ||
| Don’t Walk Alone | Neil Cowley | B♭ Major | 2 | 6B | 80 BPM | ||
| Willow | Marie Denis | F Major | 1 | 7B | 125 BPM | ||
| Eights | John Hayes | F Minor | 0 | 4A | 81 BPM | ||
| Waiting for You | Piotr Wiese | C Minor | 1 | 5A | 89 BPM | ||
| Footsteps | Mike Lazarev, Arovane | E Minor | 1 | 9A | 122 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Cortège for Clouds | Pêtr Aleksänder | D Minor | 1 | 7A | 77 BPM | ||
| We Begin | Tom Ashbrook | E Minor | 5 | 9A | 80 BPM | ||
| Apprehension, Pt. 1 - Thomas E Rouch Rework | Illuminine, Thomas E Rouch | B Minor | 0 | 10A | 91 BPM | ||
| Close | Ed Carlsen | D Major | 1 | 10B | 122 BPM | ||
| Sept Douleurs | Alexandra Hamilton-Ayres, Her Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Borderland Sorrows | Slow Meadow | E♭ Major | 1 | 5B | 82 BPM | ||
| Not Alone | Sophie Hutchings | B♭ Major | 0 | 6B | 111 BPM | ||
| No Time Limit To Grief | James Heather | G Minor | 0 | 6A | 77 BPM | ||
| Traces | Cedric Vermue | F Minor | 0 | 4A | 110 BPM | ||
| Where Do We Go From Here | Njord | B♭ Major | 1 | 6B | 180 BPM | ||
| Lighthouse | Angus MacRae | F Minor | 0 | 4A | 70 BPM | ||
| Residue | Luca Longobardi | C Minor | 2 | 5A | 152 BPM | ||
| Re | Nils Frahm | F♯ Minor | 1 | 11A | 109 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| Innsti Kjarni og Tilbrigði | Eydís Evensen | D♭ Major | 3 | 3B | 131 BPM | ||
| Robin's Cello | Phoria | G Major | 0 | 9B | 115 BPM | ||
| Where The Light Touches | Lindsay Wright | G Minor | 1 | 6A | 214 BPM |